Rodrigo F. Cádiz (1972) is a composer, researcher and engineer. He studied composition and electrical engineering at the Pontificia Universidad Católica de Chile in Santiago and he obtained his Ph.D. in Music Technology from Northwestern University. His compositions, consisting of approximately 40 works, have been presented at several venues and festivals in Latin America, North America and Europe. His catalogue considers works for solo instruments, chamber music, symphonic and robot orchestras, visual music, computers, and new interfaces for musical expression, in particular brain-computer interfaces and the Arcontinuo, a new electronic musical instrument he has been working on with two more colleagues for the past 10 years. He has received several composition prizes and artistic grants both in Chile and the US. He has authored around 40 scientific publications in peer reviewed journals and international conferences. His areas of expertise include sonification, sound synthesis, audio digital processing, computer and electroacoustic music, composition, new interfaces for musical expression and the musical applications of complex systems. He has obtained research funds from Chilean governmental agencies, such as the National Fund for Scientific and Technological Development (Fondecyt) and the National Council of Culture and the Arts (CNCA). He recently received a Google Latin American Research Award (LARA) in the field of auditory graphs. At Stanford, Rodrigo will be a composer in residence with the Stanford Laptop orchestra (SLOrk) at the Center for Computer-based Research in Music and Acoustics (CCRMA), and a Tinker Visiting Professor at the Center for Latin American Studies.
Professor Rodrigo F. Cádiz is teaching MUSIC 154F: Electroacoustic Music Analysis in spring 2018.
NSF-Funded Postdoctoral Research Fellowship
Faculty Mentor: Takako Fujioka
Award Title: Neural Oscillatory and Social Personality Correlates for Perception and Performance of Musical Joint Action
Having played violin and viola for many years, much of my interest in social coordination stems from personal experiences playing in music ensembles. I feel that many aspects of joint musical performance can be used to develop a broader understanding of collaborative behavior, and hope to continue exploring these as a source of ideas about the field of interpersonal coordination throughout my career.
Séverine Ballon’s work focuses on regular performance of key works of the cello repertoire, as well as numerous collaborations with composers; in addition, her research as an improviser has helped her to extend the sonic and technical resources of her instrument. Ballon is currently a visiting scholar at Stanford’s Center for Computer Research in Music and Acoustics (CCRMA). Her concert features works for cello and multichannel electronics, including new compositions by CCRMA’s Fernando Lopez-Lezcano and Eoin Callery.
Servio Marin, Ph.D., composer, director, choreographer, visonual artist, Visiting Scholar at Stanford University
Servio Marin is a Franco‐Venezuelan composer (his musical compositions have been performed in Europe, America and at the "International Computer Music Conference" in Vancouver, Alberta and Hong Kong), conductor ("Orquesta Radio National " and " Coral Filarmónica ", Caracas Venezuela ‐ 1977‐1983), computer music programmer (Center for computer Research in Music and Acoustics ‐CCRMA‐ Stanford University, 1983‐ 1987), composer researcher (Groupe de Recherches Musicales ‐ GRM Maison de la Radio et Télévision Française, Paris ‐1973‐77).
Creator of the concept of the visonual (1981, 1994), Servio Marin coined this term to represent the fusion (as opposed to the superimposition) between visual and aural perception. His creations and research work focus on multisensory integration and multimodal perception, following the line of metaphoric constructions such as “listening through the eyes, seeing with the ears”. His interdisciplinary work at Stanford University combines dance, music, architecture and video, and his most resent research projects imply visual and aural interrelations on human and machine perception, machine learning, image processing, pattern recognition and computer vision. Based on that research, Servio Marin is creating a computational model of the visonual and applying it to his ethnographic work on spatial narrative, and the many mental spaces determining spatial construction and the musical narrative of minority discourse (1995, 2018).
Servio Marin has been a professor of music, visual arts language and cultural studies in several universities in the United States, France and Venezuela (University of California, San Diego, National University, Stanford University, San Diego Mesa College, University of San Diego, Chapman University, Institut universitaire de technologie A de l'université Grenoble, Academie de Grenoble, Universidad Central de Venezuela and Universidad Metropolitana). He holds a Ph.D. on interdisciplinary studies from University of California, San Diego and a Masters in Computer Music from Stanford University.