Submitted by Debbie Barney on Tue, 10/10/2017 - 10:51
Rodrigo F. Cádiz (1972) is a composer, researcher and engineer. He studied composition and electrical engineering at the Pontificia Universidad Católica de Chile in Santiago and he obtained his Ph.D. in Music Technology from Northwestern University. His compositions, consisting of approximately 40 works, have been presented at several venues and festivals in Latin America, North America and Europe.
Submitted by Debbie Barney on Tue, 08/29/2017 - 10:09
Michael Galisatus is Professor of Music and Director of Bands at the College of San Mateo, directing both the college big bands and the wind ensemble. Prior to his appointment at the College of San Mateo, Mr. Galisatus produced award winning ensembles at various San Francisco Peninsula schools including Aragon, El Camino, and South San Francisco High Schools, and directed jazz ensembles at San Francisco State University and The College of Notre Dame.
Submitted by Debbie Barney on Tue, 08/29/2017 - 10:02
Loren Mach is passionate about the arts as they relate to our 21st century world and all who inhabit it. A graduate of the Oberlin and Cincinnati Conservatories of Music, he has premiered countless solo, chamber, and orchestral works. He is principal percussionist of eco ensemble, principal timpanist of San Francisco Chamber Orchestra, a core member of San Francisco Contemporary Music Players and Left Coast Chamber Ensemble, and co-founder of Rootstock Percussion.
Submitted by Debbie Barney on Mon, 07/10/2017 - 15:53
Appointed Director of Orchestral Studies and Associate Professor (Teaching) of Music at Stanford University in 2017, Paul Phillips is a conductor, composer, and author who has conducted more than 60 orchestras, opera companies, and ballet troupes worldwide, including the San Francisco Symphony, Dallas Symphony, Netherlands Radio Chamber Orchestra and Choir, Orquesta Sinfónica de Salta (Argentina), Paul Taylor Dance Company, and Opera Providence, as well as numerous choruses.
Submitted by Debbie Barney on Thu, 09/17/2015 - 09:10
Akwasi was born in Oakland, California before moving to Richland, Washington at the age of 3. Even since before the move He has had an affinity to banging on things. During the 9th summer of his parents' futile resistance to his natural state of being, they finally gave in enrolled their son in summer steeldrum lessons. Through middle school and high school Akwasi traveled around the Pacific Northwest playing with the bands OK 2 Botay and then Bram Bratá before coming to Stanford where he continued with Cardinal Calypso.
Submitted by Debbie Barney on Fri, 04/25/2014 - 15:36
Special fields: interactive software systems for computer music, programming languages, mobile music, physical interaction design, new performance ensembles (e.g., laptop orchestras and mobile phone orchestras), human-computer interaction, visualization, education at the intersection of computer science and music.
Creator of the ChucK programming language; founding director of the Stanford Laptop Orchestra (SLOrk) and Stanford Mobile Phone Orchestra (MoPhO); Co-founder of mobile music startup Smule; Designer of the iPhone's Ocarina and Magic Piano.
Submitted by Debbie Barney on Fri, 04/25/2014 - 11:44
Director, Chamber Chorale and Symphonic Chorus. Nationally and internationally invited master class teacher in conducting and choral music, guest conductor and adjudicator in choral music; has conducted master classes and performances with festival, honor, and collegiate choirs, orchestras, and other instrumental ensembles from over 20 states as well as from England, Germany, Austria, Australia, Canada, and Japan.
Submitted by Debbie Barney on Thu, 04/24/2014 - 15:44
Fellow, Royal College of Organists. Studied with Carole Terry, Peter Eros, Melvin Butler, Nicolas Kynaston, Nigel Allcoat. Special interests: 19th- and 20th-century repertoire, especially French. Assistant Conductor, U. Washington Symphony Orchestra/Opera; Conductor, U. Washington Summer Chamber Orchestra. Recitals in U.S., Germany, Wales, Australia, Norway, Sweden, England.
Submitted by Debbie Barney on Thu, 04/24/2014 - 15:30
Held previous teaching positions at University of California Berkeley and the Jazzschool in Berkeley. Guest lecturer at Stanford, San José State, Cal State Monterey Bay, University of Wisconsin/Madison, Cal State Sonoma, Jazzcamp West, and the Monterey Jazz Youth Program. Twenty-six years of perfomance, teaching, composing and arranging experience. Grammy nomination in Latin Jazz category with Macheté Ensemble 2003. Multiple appearances at major jazz festivals such Monterey, Concord, Stanford, San Francisco, San José, Big Sur, Mt.
Submitted by Debbie Barney on Tue, 04/22/2014 - 10:39
Studied composition with Paolo Ugoletti, Glenn Glasow, Wayne Peterson, and Jody Rockmaker.
Numerous compositions, including songs for voice and various combinations of instruments, several orchestral, choral and band pieces, string quartets, and the operas La povertà, Lot’s Women, and Oxford Companions.
Recipient of the Walter J. Gores award for excellence in teaching (2003-04), Stanford's highest award.