Computer research in music and acoustics (CCRMA)
Submitted by Debbie Barney on Tue, 02/20/2018 - 16:15
Since childhood I straddled the two worlds of engineering and audio, starting with piano lessons and learning to solder. I was a major in organ performance and music theory at Oberlin, where I also worked in the analog electronic music studio and learned Music V. I went to Berlin to study musicology on a Fulbright and learned more about synthesizers and studio technology. Then I traveled to Japan, where I performed and conducted independent research in electronic music with an IBM Watson Fellowship.
Submitted by Debbie Barney on Thu, 10/12/2017 - 09:48
NSF-Funded Postdoctoral Research Fellowship
Faculty Mentor: Takako Fujioka
Award Title: Neural Oscillatory and Social Personality Correlates for Perception and Performance of Musical Joint Action
Submitted by Debbie Barney on Thu, 10/12/2017 - 09:23
Séverine Ballon’s work focuses on regular performance of key works of the cello repertoire, as well as numerous collaborations with composers; in addition, her research as an improviser has helped her to extend the sonic and technical resources of her instrument. Ballon is currently a visiting scholar at Stanford’s Center for Computer Research in Music and Acoustics (CCRMA). Her concert features works for cello and multichannel electronics, including new compositions by CCRMA’s Fernando Lopez-Lezcano and Eoin Callery.
Submitted by Debbie Barney on Tue, 10/10/2017 - 10:51
Rodrigo F. Cádiz (1972) is a composer, researcher and engineer. He studied composition and electrical engineering at the Pontificia Universidad Católica de Chile in Santiago and he obtained his Ph.D. in Music Technology from Northwestern University. His compositions, consisting of approximately 40 works, have been presented at several venues and festivals in Latin America, North America and Europe.
Submitted by Debbie Barney on Tue, 08/29/2017 - 11:37
Submitted by Debbie Barney on Tue, 08/29/2017 - 11:35
Submitted by Debbie Barney on Tue, 08/29/2017 - 11:32
Utku Asuroglu’s works have been performed at such acclaimed festivals as Darmstädter Ferienkurse, Donaueschinger Musiktage Next Generation, Schleswig Holstein, Manifeste Ircam, Gaudeamus Muziekweek, MATA Festival, Royaumont, ISCM World Music Days, International Tongyeong Music Festival, Essen Europen Capital Culture and the Red Ear festival. Ensembles who have performed his works include the Intercontemporain, Talea, LINEA, Asko|Schönberg, Interface, Insomnia, IEMA, Slagwerk Den Haag, Divertimento, Faust Quartett, Signum Quartett,
Submitted by Debbie Barney on Tue, 08/29/2017 - 11:31
Submitted by Debbie Barney on Tue, 06/20/2017 - 15:02
François Rose received his Bachelor and Master degrees in composition from McGill University, and his Ph.D. from the University of California-San Diego. He also studied with Tristan Murail, at the Institut de Recherche Coordination Acoustique et Musique (IRCAM), and with Gérard Grisey at the Conservatoire National Supérieur de Musique de Paris.
Submitted by Debbie Barney on Wed, 11/02/2016 - 15:42
Doug L. James is a Full Professor of Computer Science at Stanford University (since June 2015), and was previously an Associate Professor of Computer Science at Cornell University (2006-2015). He holds three degrees in applied mathematics, including a Ph.D. in 2001 from the University of British Columbia. In 2002 he joined the School of Computer Science at Carnegie Mellon University as an Assistant Professor, before joining Cornell in 2006. His research interests include computer graphics, computer sound, physically based modeling and animation, and reduced-order physics models.