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Computer research in music and acoustics (CCRMA)

Seán Ó Dálaigh

Seán Ó Dálaigh is a composer and sound artist from Kerry, Ireland. His music is primarily concerned with space, silence, and the physicality of sound production. His practice includes writing for ensembles and musicians; electronic music; composing for, collaborating with, and performing in contemporary theatre and dance works; and sonic installations incorporating sculptural elements. He is represented by the Contemporary Music Centre, Ireland (CMC). He is currently a DMA student in composition at Stanford University and CCRMA.

Engin Daglik

Engin Daglik is a composer, sound artist and performer who essentially explores the potential of space by combining different fields of art in his works. He is mostly interested in producing works that aim to re-create and re-shape the perception of space in order to make viewers and listeners re-imagine the site transformed by the work. He enjoys designing and producing works for concert, gallery and public spaces by implying different immersive audio techniques, using concrete materials to create explicit structures.

Hongchan Choi

Hongchan Choi is a musician, an engineer, and a creator. With the deepest passion on the web technology, he is on a mission to make the web better for music making.

Douglas McCausland

Douglas McCausland is a composer / performer who is fascinated with new sonic territories and processes for creating music, and whose work engages with the extremes of sound and the digital medium. In particular, his current compositions / research explore the intersections of real-time performance of electronic music using handmade interfaces, higher-order ambisonics, interactive systems and performer agency, musical applications of machine learning, experimental sound design, and DIY electronics / hardware-hacking.

Camille Noufi

Camille Noufi is a vocalist and research engineer pursuing the application of vocal expression, musical engagement and human connection to assistive technologies.  Her research interests link areas such as digital signal processing and human-computer interaction to vocal production, perception and cognition.  

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