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Thomas Grey

Tom Grey photo

Thomas Grey

Professor (Musicology, and by courtesy, German Studies)
Ph.D., University of California, Berkeley


Special fields: Wagner, 19th-century opera, history of musical aesthetics and criticism, Romantic music and visual culture.

Publications: Wagner’s Musical Prose: Texts and Contexts, 1995. Editor and co-author of Richard Wagner: The Flying Dutchman, 2000, and Cambridge Companion to Wagner, forthcoming. Articles and reviews in JAMS, 19th Century Music, Music Library Association Notes, Current Musicology, Opera Quarterly, Cambridge Opera Journal, Beethoven Forum, Wagner, 19th-Century Studies; Analyzing Opera, 1989; Music Theory in the Age of Romanticism, 1996; The Arts Entwined (2000); Music and German Identity, 2001; The Don Giovanni Moment (2005); International Dictionary of Opera, Revised New Grove Dictionary, and ENO Opera Handbooks. Chapters contributed to The Wagner Compendium, 1992; The Mendelssohn Companion, 2001; Cambridge Companion to Grand Opera, 2003; Cambridge History of 19th Century Music; New History Of German Literature; and Cambridge Opera Handbooks: Tristan und Isolde, forthcoming. Editor-in-Chief, Journal of the American Musicological Society (1999-2001).

Editorial/advisory board: Cambridge Opera Journal, Nineteenth-Century Music Review, Wagner Spectrum.

Grants: DAAD (1985); Getty Center for the History of Art and the Humanities (Fellow 1986-87); National Endowment for the Humanities (1993); Alexander von Humboldt Stiftung (2005, 1994).

Visiting Assoc. Prof., University of California, Berkeley (2005); Visiting Asst. Professor in Music, UCLA, 1988-89.