Madeline Huberth graduated from Stanford University’s Center for Computer Research in Music and Acoustics in June, 2018. Her research intersects music psychology and the study of gesture in performance, exploring production and perception of polyphony using EEG, motion capture, and behavioral studies. Prior to coming to CCRMA, she received a B.M. in Cello Performance and a B.S. in Interdisciplinary Physics from the University of Michigan, and her masters from the University of Cambridge as a Gates Cambridge Scholar.