Submitted by Debbie Barney on Thu, 08/23/2018 - 14:56
Lyndsey Hoh Copeland is a Mellon Postdoctoral Fellow at the Stanford Humanities Center and Lecturer in the Department of Music. She received her D.Phil. in Ethnomusicology from the University of Oxford, her M.Phil. in Social Anthropology from the University of Oxford, and her B.M. in Tuba Performance from the University of Southern California.
Submitted by Debbie Barney on Thu, 04/24/2014 - 15:21
Charles Kronengold has written on twentieth-century Western art music (Elliott Carter, Morton Feldman, John Cage, Debussy, Schoenberg, Varèse), popular-music genres (funk, soul, disco, bossa nova, pop), film, and such philosophical subjects as composers’ intentions, the roles of accidents in theory, and the relevance of African American music to current debates about the “post-secular.” His recent research has concerned the ways that modern artistic genres condition, depict, embody and help to transform the activity of thinking.