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Minimalisms and their reception histories

Tysen Dauer

Tysen’s current work investigates the racialized aesthetics of low-level psychological states in the reception of early American minimalism. The project connects music transcription and analysis, auditory neuroscience and music cognition, ethnography, archival work, and critical race theory to make sense of first-person experiences of minimalist compositions. The work entails experimental psychology studies in collaboration with the NeuroMusic lab, the Music Engagement Research Initiative, and the Culture and Emotion lab.

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