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Aesthetics

Ge Wang

Special fields: computer music, artful design, programming languages and software design for music, human-computer interaction, virtual reality, laptop orchestra, mobile music, physical interaction design, visualization, ethics and aesthetics of shaping technology, education at the intersection of engineering, art, and the humanities.
 

Erik Ulman

Erik Ulman studied composition at UCSD, working principally with Brian Ferneyhough, as well as with Helmut Lachenmann at the Stuttgart Musikhochschule on a DAAD grant. He has taught music at UCSD and the University of Illinois at Urbana-Champaign.

Charles Kronengold

Charles Kronengold has written on twentieth-century Western art music (Elliott Carter, Morton Feldman, John Cage, Debussy, Schoenberg, Varèse), popular-music genres (funk, soul, disco, bossa nova, pop), film, and such philosophical subjects as composers’ intentions, the roles of accidents in theory, and the relevance of African American music to current debates about the “post-secular.” His recent research has concerned the ways that modern artistic genres condition, depict, embody and help to transform the activity of thinking.

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