Submitted by Debbie Barney on Mon, 01/27/2020 - 11:04
Munir’s main academic interest lies in the examination of sonic representations revolving around ideological symbolisms. His current research investigates the jazz scene in Turkey as a microcosm in which he observes the interplay of music and ideology, contesting positionalities in various nationalism(s) and cosmopolitanism(s), class conflict and differing forms of conservatism.
Submitted by Debbie Barney on Thu, 09/12/2019 - 09:24
Joshua Redman is one of the most acclaimed and charismatic jazz artists to have emerged in the decade of the 1990s. Born in Berkeley, California, he is the son of legendary saxophonist Dewey Redman and dancer Renee Shedroff. He was exposed at an early age to a variety of musics (jazz, classical, rock, soul, Indian, Indonesian, Middle-Eastern, African) and instruments (recorder, piano, guitar, gatham, gamelan), and began playing clarinet at age nine before switching to what became his primary instrument, the tenor saxophone, one year later.
Submitted by Debbie Barney on Mon, 10/16/2017 - 10:43
Bass player and Bay Area native Josh Thurston-Milgrom is a 16-year veteran of the Stanford Jazz Workshop. He lived for twelve years on the South Side of Chicago, where he studied composition and performed with luminaries such as Von Freeman, Bobby Broom, and Jeff Parker. He also spent three years in East Berlin, where he worked with Kurt Rosenwinkel and a host of locals.
Submitted by Debbie Barney on Tue, 08/29/2017 - 10:09
Michael Galisatus is Professor of Music and Director of Bands at the College of San Mateo, directing both the college big bands and the wind ensemble. Prior to his appointment at the College of San Mateo, Mr. Galisatus produced award winning ensembles at various San Francisco Peninsula schools including Aragon, El Camino, and South San Francisco High Schools, and directed jazz ensembles at San Francisco State University and The College of Notre Dame.
Submitted by Debbie Barney on Mon, 04/28/2014 - 11:29
John L. Worley, Jr. is an accomplished trumpet / flugelhorn artist and leader of the bands Mo-Chi Quartet, WorlView, and Bari Bari. John is also an engaging and accomplished educator who teaches with enthusiasm, humor, and insight to a wide range of ages, experience levels, and proficiencies.
Submitted by Debbie Barney on Fri, 04/25/2014 - 15:25
Submitted by Debbie Barney on Fri, 04/25/2014 - 09:54
Studied with Danny Patiris, Joe Henderson, John Handy, Dave Baker. Director of the Stanford Jazz Workshop since 1972; artistic and administrative director Stanford Jazz Festival. Bay Area performance (alto saxophone) in various jazz combinations.
Submitted by Debbie Barney on Thu, 04/24/2014 - 15:40
Charlie McCarthy is a saxophonist who has played and recorded with many of the greats in jazz including Ella Fitzgerald, Joe Henderson, Sarah Vaughan, Bobbie Hutcherson, George Shearing, Madeline Eastman, Radcliffe (the Cal Tjader Alumni Band), Frank Sinatra, Nancy Wilson, Bruce Forman, Lena Horne, and Joe Williams. Charlie graduated from San Francisco State College, where he was a member of a quintet named as the best in the Intercollegiate Music Festival.
Submitted by Debbie Barney on Thu, 04/24/2014 - 15:30
Held previous teaching positions at University of California Berkeley and the Jazzschool in Berkeley. Guest lecturer at Stanford, San José State, Cal State Monterey Bay, University of Wisconsin/Madison, Cal State Sonoma, Jazzcamp West, and the Monterey Jazz Youth Program. Twenty-six years of perfomance, teaching, composing and arranging experience. Grammy nomination in Latin Jazz category with Macheté Ensemble 2003. Multiple appearances at major jazz festivals such Monterey, Concord, Stanford, San Francisco, San José, Big Sur, Mt.
Submitted by Debbie Barney on Mon, 04/21/2014 - 15:47
Applebaum received his Ph.D. in composition from the University of California at San Diego where he studied principally with Brian Ferneyhough. His solo, chamber, choral, orchestral, operatic, and electroacoustic work has been performed throughout North and South America, Europe, Africa, Australia, and Asia with notable performances at the Darmstadt Sessions.