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Composition

Douglas McCausland

Douglas McCausland is a composer and performer of electroacoustic music currently based out of the Bay Area in California, USA. Fascinated with new sonic territories and processes for creating music, his work engages with the extremes of sound and the digital medium; ultimately, he strives to create visceral music which balances creative exploration with technical nuance. Compositionally, he has focused in recent years almost exclusively on the creation of electronic music for interactive systems and performers, fixed-media, and for hardware-hacked ‘instruments’ and real-time processing.

Utku Asuroglu

Utku Asuroglu’s works have been performed at such acclaimed festivals as Darmstädter Ferienkurse, Donaueschinger Musiktage Next Generation, Schleswig Holstein, Manifeste Ircam, Gaudeamus Muziekweek, MATA Festival, Royaumont, ISCM World Music Days, International Tongyeong Music Festival, Essen Europen Capital Culture and the Red Ear festival. Ensembles who have performed his works include the Intercontemporain, Talea, LINEA, Asko|Schönberg, Interface, Insomnia, IEMA, Slagwerk Den Haag, Divertimento, Faust Quartett, Signum Quartett,

Davor Branimir Vincze

Davor Branimir Vincze is a versatile, intenationally active composer, winner of several awards and stipends in composition. His music posesses the fascinating mixture of natural and social phenomena, mathematical curves, algorithms and electronics. Error and misinterpretation as a source of original material is one of his current musical preoccupations.

Julie Herndon

Julie Herndon is a California-based composer and performer working with internal/external space, cognition, and improvisation. Her work uses text scores, graphics, and electronics as means of addressing, redressing, and undressing vulnerability and emotional content.

Charlie Sdraulig

Charlie Sdraulig's music explores interaction that examines the roles of physicality and perception in human performance. This exploration often takes place at the threshold of audibility. The inherent ambiguity of this context may allow a particular expression of human individuality to emerge.

Juan Pampin

Associate Professor of Composition at University of Washington, Seattle and Director of the Center for Digital Arts and Experimental Media ( DXARTS: dxarts.washington.edu), dedicated to interdisciplinary research in the arts.

Juan Pampin (b. Buenos Aires, 1967) is Associate Professor of composition at University of Washington and founding faculty member of the Center for Digital Arts and Experimental Media (DXARTS) for which he currently serves as Associate Director.

Andrew Watts

Andrew Watts’ works, from chamber and symphonic music to multimedia and electro-acoustic, are actively performed throughout the US and Europe. His compositions have been premiered at world-renowned venues such as Ravinia, the MFA Boston, Jordan Hall, and the Holywell Music Room. In the past few years Mr. Watts has written for top musicians and ensembles including Distractfold Ensemble, RAGE Thormbones, Splinter Reeds, Quince, Line Upon Line Percussion, Tony Arnold, Séverine Ballon, and the LA Percussion Quartet.

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