Performing Intermedia in Japan: Day 2
Wednesday, 26 April 2023
Stanford Humanities Center
9:30 am Morning coffee
SESSION 2: New Perspectives on Noh
Beng Choo Lim, Chair
10:00-10:30 am “From Dream to Reenactment: The Multimodal Structure of Imagination in Kokaji and Hashitomi”
Taro Yokoyama, Department of Expression Studies and Cinematic Arts, Rikkyō University, Tokyo
10:30-11:00 am “The Other Side of the Noh Stage”
Ariel Stilerman, Department of East Asian Languages and Cultures, Stanford University
11:00-11:30 am “Time, Timbre, and Form in Noh”
Takanori Fujita, Research Centre for Japanese Traditional Music, Kyoto City University of Arts
François Rose, Department of Music, Stanford University
11:30 am-12:00 pm “The Play's the Thing: But Why Kokaji and Why Hashitomi?”
Tom Hare, Comparative Literature in the Department of East Asian Studies, Princeton University
12:00-1:30 pm Lunch
SESSION 3: New Modes of Transmission of Traditional Japanese Culture
Jarosław Kapuściński, Chair
2:00-2:30 pm “Modes of Transmission in Contemporary Zen Chanting”
Michaela Mross, Department of Religious Studies, Stanford University
2:30-3:00 pm “Analog/Digital Transmissions of Knowledge in Noh”
Diego Pellecchia, Department of Kyoto Studies, Kyoto Sangyō University
3:00-3:30 pm “An Approach for Archiving Noh Dances by Analysis and Synthesis of the Smallest Motion Units: Reflections on its Lack of Success”
Reiko Yamanaka, Nogami Memorial Noh Theatre Research Institute, Hōsei University
3:30-4:00 pm “Can Sixth Graders Perform a Noh Play in Their Classroom?
An Imaginary Intermedia Platform for Noh Performance by Students”
Akiko Takeuchi, Department of Intercultural Communication, Hōsei University
4:00 pm Coffee break
5:00-6:30 pm Closing Panel Discussion
Indra Levy, Chair
Round Table and General Conversation