Skip to main content
Stanford University
Stanford
Department of Music
School of Humanities and Sciences
Search
Menu
About
What We Do
What We Do: Overview
Composition, Songwriting, Sonic Arts & Intermedia
Conducting
Instrumental Performance, Orchestras & Ensembles
Jazz, Improvisation, and Popular Music
Music History and Ethnomusicology
Music, Science, and Technology
Music Theory
Vocal Performance, Opera, Musical Theater, and Choral Ensembles
Who We Are
Mission—Values—Vision
News
Newsletter Sign-Up
Friends of Music
Board of Directors
Friends of Music Events
Make a Gift to Friends of Music at Stanford
Make a Gift to the Department
Contact & Directions
Academics
Undergraduate Studies
Undergraduate Minor
Declare a Minor
Undergraduate Major
Declare a Major
Concentrations
Composition
Conducting
Music History & Ethnomusicology
Music Theory
Music, Science, and Technology
Musicology & Performance
Performance
Self-Designed
Planning a Concentration Recital
Preparing to Graduate
Forms and Resources
Graduate Studies
Graduate Programs
MA in Music, Science, and Technology
DMA in Composition
Doctoral Certificate in Composition
PhD in Computer-Based Music Theory and Acoustics
Doctoral Certificate in Computer Music
PhD in Ethnomusicology
PhD in Musicology
Newly Admitted Graduates
Graduate Advising
Graduate Student Forms & Resources
Other Programs
Certificate in Performance
Summer Studies
St. Lawrence String Quartet Chamber Music Seminar
Admissions
Prospective Undergraduate Students
Overview
Admission Arts Portfolio
Recorded Arts Portfolio
Arts Portfolio FAQ
Live Auditions
Visits & Trial Lessons
Prospective Graduate Students
Admissions
Funding Information
Venues & Facilities
Venues
Venues Overview
Bing Concert Hall
Campbell Recital Hall
CCRMA Stage
Dinkelspiel Auditorium
Memorial Church
Facilities
Braun Music Center
Rehearsal Room & Classroom Requests
Center for Computer Research in Music and Acoustics (CCRMA)
Center for Computer Assisted Research in the Humanities (CCARH)
Instrument Collection
Music Libraries
People
People
Faculty
Staff
Graduate Students
Postdocs & Visitors
Emeriti Faculty
Alumni News
Play
Practice & Play
Practice Rooms
Lockers
Lessons
Applied Music Fees
Applied Music Policies
Zero Unit Enrollment Policy
Recitals & More
Scheduling Recitals
Reserving Rooms & Auditoria
Concert Recording Requests
Department of Music Awards
Department of Music Awards Eligibility
Music-Making Across Campus
Ensembles
Overview
Choral Ensembles
Choral Ensembles: 2024–2025
Instrumental Ensembles
Jazz Ensembles
Other Ensembles
Chamber Music
Lesson Funding
Friends of Music Lesson Funding Program
Events
Events
Upcoming Events
Lectures
Noon Concerts
A. Jess Shenson Recital Series
Past Events
Performing Intermedia in Japan
Day 1 Schedule
Lecture & Demonstration: Noh as Intermedia
Day 2 Schedule
Acknowledgments
Faculty Ensembles
Stanford Woodwind Quintet
St. Lawrence String Quartet
Events & Outreach
Chamber Music Seminar
Chamber Music Seminar Archives
Seminar Enrollment
Seminar Facilities
Seminar Faculty
"Why Music Matters" at SPCS
Emerging String Quartet Program
Chamber Music at Stanford
Collaborators and Volunteers
Student Crew
Main content start
Audio: Howard Qin – La porta dell'inferno, Op. 36
oEmbed URL
Back to Top