// JavaScript Document
// SCROLL ALL THE WAY DOWN TO THE MARQUEE
/* Sorted by the area property of the Profile Object
* 1. Faculty
* a. ccrma
* b. ccarh
* c. early-music
* d. ensemble
* e. flute
* f. jazz
* g. keyboard
* h. musicology
* i. percussion
* j. strings
* k. voice
* l. wbp (winds, brass, & percussion)
*/
// defines a generic object called Profile with certain properties
// regarding occupational and contact information
var faculty = new Array(); // defines the master database of Faculty Profile Objects
//
// THIS IS HOW THE PROFILE OBJECTS ARE ORGANIZED
//
// new Profile("firstname", "lastname", "departmentArea", "photo.jpg", "position", "email", "phone", "office", "website",
// "bio");
//
// To insert one or more profiles, take the code geenrated by the CODE GENERATOR and copy paste it at the bottom of
// the faculty profile declarations or make navigation easier by placing the profile near a profile of the same
// KEYBOARD FACULTY
faculty[faculty.length++] = new Profile(
"Laura", "Dahl", "keyboard", "dahl.jpg", "Lecturer in Piano (Resident Collaborative Pianist)",
"laura.dahl@stanford.edu", "725.2699", "Braun 222", "http://www.stanford.edu/people/Laura.Dahl",
"B.M., University of Michigan; M.M., New England Conservatory of Music. Specialist in chamber music and vocal coaching. Performances throughout U.S. (including Carnegie Hall), Germany,and England. Founding member of the Harmida Piano Trio. Artistic Director: Jess Shenson Recital Series at Stanford and the Music by the Mountain summer festival in northern California. Has served as faculty member of the New National Theatre Young Artists Training Program (Tokyo, Japan), Associate Director of the San Francisco Boys Chorus, Assistant Conductor of the San Francisco Opera Center (Western Opera Theater), and Music Associate, San Francisco Conservatory of Music. German Federal Chancellor's Scholar, Alexander von Humboldt Foundation (1992-93); Fellow, Tanglewood Music Center (1991-92). Studied German art song interpretation with Dietrich Fischer-Dieskau; piano and chamber music with Margo Garrett, Martin Katz, Phillip Moll, and Eckart Sellheim."
);
faculty[faculty.length++] = new Profile(
"Robert Huw", "Morgan", "keyboard", "hmorgan.jpg", "Lecturer (Organ)",
"rhmorgan@stanford.edu", "725.0530", "Braun 213", "http://www.roberthuwmorgan.com/",
"D.M.A., organ performance and orchestral conducting, University of Washington, Seattle; M.A., B.A., St. John’s College, Cambridge; Fellow, Royal College of Organists. Studied with Carole Terry, Peter Eros, Melvin Butler, Nicolas Kynaston, Nigel Allcoat. Special interests: 19th- and 20th-century repertoire, especially French. Assistant Conductor, U. Washington Symphony Orchestra/Opera; Conductor, U. Washington Summer Chamber Orchestra. Recitals in US, Germany, Wales, Australia, Norway, Sweden, England."
);
faculty[faculty.length++] = new Profile(
"Thomas", "Schultz", "keyboard", "schultz.jpg", "Senior Lecturer (Piano)",
"schultzt@stanford.edu", "725.2696", "Braun 207", "http://www.thomasschultzpianist.com/",
"B.M., University of Texas at Austin; M.F.A., California Institute of the Arts; D.M.A., University of Colorado at Boulder. Studied with John Perry (at Oberlin and the University of Texas) and Leonard Stein. Solo recitals in Berlin, Vienna (Schoenberg Festival), Kyoto, Seoul, New York, San Francisco, Berkeley, Korea’s Tongyoung Festival, the Festival of New American Music in Sacramento, and the April in Santa Cruz Festival. Appearances as soloist at Alice Tully Hall (NYC), the Other Minds Festival (San Francisco), and the Colorado Music Festival. Chamber music performances with Robert Craft?s 20th Century Classics Ensemble (NYC), the Da Camera Society of Houston, the San Francisco Contemporary Music Players, and the St. Lawrence String Quartet. Recordings on MusicMasters, Newport Classics, Seoul Records. Recording of solo works for Belgian Radio (Brussels). Has worked closely with eminent composers including John Cage, Morton Feldman, Elliott Carter, Frederic Rzewski, Christian Wolff, Hyo-shin Na, Earle Brown, and Jonathan Harvey, and has given recitals and lectures devoted to the music of Cage and Rzewski."
);
faculty[faculty.length++] = new Profile(
"Elaine", "Thornburgh", "keyboard", "thornburgh.jpg", "Lecturer (Harpsichord)",
"ilana@bardavid.net", "725.2688
415.387.6890 (home)", "Braun 201", "",
"B.M., M.M., San Francisco Conservatory of Music. Studied with Malcolm Bilson, Gustav Leonhardt, Alan Curtis. Recordings on Koch International Classics, Lyrichord Early Music Series (Scarlatti CD set). California Arts Council Touring Artist; NEA Solo Recitalist Grant; semi-finalist, Sixth International Harpsichord Competition, Bruges, Belgium. Founder of Humanities West. Soloist, lecturer/recitalist, and ensemblist throughout the U.S."
);
faculty[faculty.length++] = new Profile(
"Frederick", "Weldy", "keyboard", "weldy.jpg", "Senior Lecturer (Piano)",
"weldy@stanford.edu", "723.1335", "Braun 203", "",
"B.M., M.M., D.M.A., University of Michigan. Studied with Charles Fisher, Marion Owen, Martin Katz, and Eugene Bossart. Performances throughout U.S., Canada, and Europe; debut at Carnegie Recital Hall, New York; soloist with the Rochester Philharmonic, Utah Symphony, symphonies in Warsaw, Costa Rica. Prizewinner in Gina Bachauer International Piano Competition; winner, East and West Artists International Auditions and Music at La Gesse Foundation Fellowship; recipient of National Endowment for the Arts Solo Recitalist Fellowship."
);
faculty[faculty.length++] = new Profile(
"Timothy", "Zerlang", "keyboard", "zerlang.jpg", "Lecturer (Piano, Carillon)
University Carillonneur",
"timzer@stanford.edu", "723.1549", "Braun 111", "",
"B.A., M.A., California State University, Fresno; D.M.A., Stanford University. Studied with Philip Lorenz, Naomi Sparrow (masterclasses with Rafael da Silva, Jorge Demus, Murray Perahia). Harpsichord and fortepiano studies with Margaret Fabrizio; organ studies with Fred Dempster, Robert Gerster, Herbert Nanney (masterclasses with Harald Vogel); carillon studies with James Angell. Organist, Grace Lutheran Church, Palo Alto."
);
// CCARH STAFF
faculty[faculty.length++] = new Profile(
"Walter", "Hewlett", "ccarh", "hewlett.jpg", "Consulting Professor (CCARH)",
"", "725.9241", "Braun 130", "",
"M.S., Engineering, M.S., Operations Research, D.M.A., Organ Performance Practice, Stanford University. Board of Directors, American Bach Society; Co-chair, International Musicological Society Study Group on Musical Data and Computer Applications; Co-editor, Computing in Musicology. Founder/Director, Center for Computer-Assisted Research in the Humanities. Contributor, Beyond MIDI: The Handbook of Musical Codes, 1997; Computers and the Humanities; Computing in Musicology; BACH: The Journal of the Riemenschneider Bach Institute."
);
faculty[faculty.length++] = new Profile(
"Eleanor", "Selfridge-Field", "ccarh", "sfield.jpg", "Consulting Professor (CCARH, Music and Symbolic Systems)",
"esfield@stanford.edu", "725.9242", "Braun 129", "http://www-ccrma.stanford.edu/~esf/",
"B. A. Drew Unversity; M.S., Columbia University; D. Phil., Oxford University. Scholar, writer, editor, and consultant on musical history, cultural history, music technology, music as intellectual property. Special fields: music (especially opera and instrumental music; Venetian history and culture) from 1585 to 1825; computer theories of music and music representation; musical data as intellectual property. Co-editor: Computing in Musicology. Books: Music Query: Methods, Models, and User Studies (CM13, 2004); The Virtual Score (CM12, 2001); Melodic Similarity (CM 11, 1998); Beyond MIDI: The Handbook of Musical Codes, 1997; The Works of Benedetto and Alessandro Marcello, 1990; Pallade Veneta: Writings on Music in Venetian Society, 1650-1750, 1985; Venetian Instrumental Music from Gabrieli to Vivaldi, 1975, 1980, 1994. Editions: Antonio Vivaldi, The Concertos Op. 10 (2001), Op. 3 (1998), The Four Seasons and Other Concertos, Op. 8 (1995). Articles and reviews in Arte veneta, Computer Music Journal, Computers and the Humanities, Computing in Musicology, Early Music, International Review of the Aesthetics and Sociology of Music, Journal of American Musicological Society, Journal of the History of Ideas, Music and Letters, Musical Quarterly, Music Library Association Notes, Organ Yearbook, Recercare, Revue de Musicologie, Music Theory Spectrum, Il saggiatore musicale, Studi Musicali, Studi vivaldiani, The New Grove Dictionary of Music and Musicians and its spinoffs (Dictionary of Musical Instruments, Dictionary of Opera, Music and Man); The New Grove Dictionary of Music and Musicians, Second Edition. Grants: American Council of Learned Societies fellow, 1976-77; Gladys Krieble Delmas Foundation fellow, 1994, 1983, 1977; Aston Magna Foundation fellow, 1980, 1981; American Academy in Rome, 1998, 1996; Thyll-Duerr Stiftung, 2002; Fritz Thyssen Stiftung, 2004."
);
// ENSEMBLE FACULTY
faculty[faculty.length++] = new Profile(
"Giancarlo", "Aquilanti", "comptheory", "giancarlo.png", "Senior Lecturer and Director of Music Theory
Director of the Stanford Wind Ensemble","gcarlo@ccrma.stanford.edu", "723.0816", "Braun 232", "http://ccrma.stanford.edu/~gcarlo/",
"Conservatory degree Composition, trumpet performance and minor in piano from Pesaro (Italy) Conservatory; M.A., California State University, Hayward; D.M.A., Stanford University. Studied composition with Paolo Ugoletti, Glenn Glasow, Wayne Peterson, and Jody Rockmaker. Numerous compositions, including songs for voice and various combinations of instruments, several orchestral, choral and band pieces, string quartets, and the opera Lot’s Women, which was presented under his direction at Stanford in the summer of 1996. During the academic year of 2003-04 he received the "Gores" award for excellency in teaching."
);
faculty[faculty.length++] = new Profile(
"Jindong", "Cai", "ensemble", "cai.jpg", "Associate Professor (Performance)
Gretchen B. Kimball Director of Orchestral Studies",
"cai@stanford.edu", "723.4304", "Braun 121", "",
"B.A. School of Music, Beijing Capital Normal University, China. M.A., New England Conservatory of Music. Other Conducting Studies include the Aspen Music Festival’s Conducting Fellowship, the Tanglewood Music Center’s Young Conductor’s Program. Studied with Bernstein, Gerhard samuel, Gustav Merier, Lorna Cooke deVaron, Murry Sidlin, and Carl St Clair. Assistant Conducting positions with the Cincinnnati Symphony, the Cincinnnati Chamber Orchestra, Faculty positions at UC Berkeley, Cincinnati College-Conservatory of Music, University of Arizona, and Louisiana State University. Guest conducting appearances in include the Arkansas Symphony, the Cincinnati Symphony, the Cincinnati Chamber Orchestra, the Louisiana Philharmonic, Lexington Philharmonic, Tucson Symphony, the Northwest Chamber Orchestra, the China National Broadcasting Symphony. The National opera and Ballet Theater of China, the Shanghai Symphony and the Shanghai Broadcasting Symphony, among others. ASCAP Awards for Adventurous Programming of Contemporary Music. Records with Centaur Records and Vienna Modern masters. Articles co-author with Sheila Melvin in the New York Times on performing arts in China and a new book Rhapsody in Red, How Western Classical Music Became Chinese, published by Algora."
);
faculty[faculty.length++] = new Profile(
"Stephen M.", "Sano", "ensemble", "Sano.jpg", "Department Chair
Associate Professor (Teaching)
Harold C. Schmidt Director of Choral Studies
Affiliate Faculty in Asian American Studies", "sano@stanford.edu", "For questions specific to Department Chair: 723.1730
For questions concerning the choral program at Stanford: 723.1570", "Braun 120 and Braun 101E", "http://www.stanford.edu/~sano",
"B.A., San Jose State University; A.M., D.M.A., Stanford University. Director, Chamber Chorale and Symphonic Chorus. Nationally and internationally invited master class teacher, conductor and adjudicator in choral music; has conducted master classes and performances with festival, honor, and collegiate choirs, orchestras, and other instrumental ensembles from over 20 states as well as from England, Germany, Austria, Australia, Canada, and Japan. Former conducting faculty, Wilkes University Encore Music Festival of Pennsylvania. Special fields: Viennese Chorwalzer, Hawaiian choral music, music of Queen Lili`uokalani, ki ho`alu (Hawaiian slack key guitar), North American Taiko (Japanese American drumming). Studies at Tanglewood Music Center and with Mitchell Sardou Klein, William Ramsey, Aiko Onishi, Alfred Kanwischer, Fernando Valenti, Ozzie Kotani. Harpsichordist, International Chamber Orchestra of Rome. Recordings on Pictoria Records (choral) and DHC (ki ho`alu). Hawaiian Music Award and Na Hoku Hanohano Award finalist (ki ho`alu)."
);
faculty[faculty.length++] = new Profile(
"Linda", "Uyechi", "ensemble", "uyechi.jpg", "Lecturer (Taiko)",
"uyechi@stanford.edu", "", "", "",
"Ph.D., Stanford University. Lecturer in the Perspectives in North American Taiko seminar, Faculty Advisor to Stanford Taiko, Director Summer Taiko at Stanford, Performing Member Jun Daiko (charter member), San Jose Taiko (1996-1999), Stanford Taiko (charter member 1992-1996). Master classes with Kenny Endo and Kiyonari Tosha, and study with KODO on Sado Island, Japan. North American Taiko Conference Advisory Board member since 2005 and invited presenter (1997, 2005)."
);
// STRINGS FACULTY
faculty[faculty.length++] = new Profile(
"Marjorie", "Chauvel", "strings", "chauvel.jpg", "Lecturer (Harp)",
"chauvel@comcast.net", "", "Dink 104", "",
"She began the study of the harp at age 6. Studied under the French and Modern School of the Harp. Instructors, Florence Lyons, Marietta Bitter, Carlos Salzedo. Artist Scholarship student of the Curtis Institute of Music, Philadelphia PA. Teaches all methods with concentration on Musicianship, Performance. She does not change a well-trained technique. Faculty of New School of Music, Philadelphia PA (1943-45), Granoff School of Music, Philadephia PA (1943-45), College of Notre Dame, High School and Grammar School, Belmont, CA (1955-81), San Francisco State University, Prof. of harp (1960-80), Conservatory of Music at University of the Pacific, Stockton, CA Development Harp Dept. (1972, 1975). Stanford University Lecturer in Music, harp (1969-), Harpist with National Orchestral Assoc., New York City (1940-41), Scranton Philharmonic, PA (1944-45), Norfolk Symphony, VA (1943-45), Curtis Symphony, PA (1944-45). Author of A Harp At the Wedding, Tunes I Love to Play, and various harp collections. Honorary Judge, Israeli International Harp Competition; Judge Am. Harp Society National Competitions."
);
faculty[faculty.length++] = new Profile(
"Christopher", "Costanza", "strings", "costanza.jpg", "Lecturer and Artist in Residence (Cello, St. Lawrence String Quartet)",
"cvccello@stanford.edu", "725.0537", "Braun 208", "http://www.slsq.com/",
"B.M., Artist Diploma, New England Conservatory of Music. Cello Studies with Bernard Greenhouse, Laurence Lesser, David Wells. Winner, 1986 Young Concert Artists’ International Auditions in New York. Recipient, 1993 Solo Recitalists’ Grant from the National Endowment for the Arts. Solo and chamber music performances in over forty of the United States, throughout Europe, Canada, and the Caribbean. Participant in numerous summer festivals, including Marlboro, Santa Fe, Seattle, and Vancouver. Participation in several Music from Marlboro tours. Radio broadcasts on WFMT in Chicago, National Public Radio in the U.S., and on the CBC in Canada. Former member of the Chicago Chamber Musicians and Chicago String Quartet, resident faculty quartet of the Taos School of Music in New Mexico."
);
faculty[faculty.length++] = new Profile(
"John", "Dornenburg", "strings", "dornenburg.jpg", "Lecturer (Viola da Gamba)",
"jdrnbrg@saclink.csus.edu", "", "", "",
"Soloist’s Diploma, Royal Conservatory, The Hague; Baroque Performance Practice Certificate, Mozarteum, Salzburg. B.A., Antioch College. Fulbright recipient. Studied performance with Wieland Kuijken and Nikolaus Harnoncourt. Solo performances in Western Europe, Poland, Turkey, New Zealand and Australia. Solo recordings of J.S. Bach, Marais, C.P.E. Bach, Handel, Telemann, Hume, Abel, and St. Colombe for Centaur, Meridian, Dorian, Koch, BBC, and NPR. Lecturer in Music History, California State University, Sacramento; Artist-faculty at Aston Magna Academy; former history Lecturer, Carnegie Mellon University; Artist-in-Residence, University of Washington and University of Melbourne. Past president, San Francisco Early Music Society. Performs on viol and violone with Music’s Re-creation, Sex Chordae Consort of Viols, Magnificat, and many other music ensembles. Editor of three volumes of viol consort music by John Hingeston. Made opera conducting debut in 2005 with Monteverdi’s L?Incoronazione di Poppea at CSUS."
);
faculty[faculty.length++] = new Profile(
"Charles", "Ferguson", "strings", "ferguson.jpg", "Lecturer (Guitar)",
"caferguson@stanford.edu", "725.2697", "Braun 211", "",
"M.F.A., California Institute of the Arts. Studied with Oscar Ghiglia, Rodrigo Riera, Andres Segovia, Jose Tomas; workshops with Leo Brouwer, Abel Carlevaro. Guest soloist, Rosa Montoya Bailes Flamenco. Solo recitals in U.S., Canada, Venezuela."
);
faculty[faculty.length++] = new Profile(
"Dawn", "Harms", "strings", "harms.jpg", "Lecturer (Violin)",
"dawnharms@juno.com", "724.6389", "Braun 227", "http://dawnharms.com/",
"Dawn Harms leads an active musical life as a violinist, violist, chamber musician and conductor. For ten years, Dawn was first violinist with the Harrington String Quartet, winners of the Grand Prize at the prestigious Fischoff and Evian International chamber music competitions. She played first violin for five years with the Santa Fe Opera. A member of the San Francisco Opera Orchestra, and the New Century Chamber Orchestra. Dawn holds the position of co-concertmaster with the Oakland Symphony, and concertmaster of the Santa Fe Pro Musica Chamber Orchestra. Dawn is the founder and conductor of the Elixir Chamber Orchestra, and founder and music director of Music at Kirkwood. Harms, a strong advocate for children’s music education, was conductor and music director of the Amarillo Youth Orchestra and continues to design and perform educational concerts throughout the western United States. Her solo recording The Black Swan, on the ATOL label features music for violin and harp. Her newly released CD, The Hot Canary, as well as The Black Swan, are available on CD Baby and amazon.com. Dawn also collaborated with her cousin Tom Waits on his recordings Alice and Blood Money. Ms. Harms currently serves on the music faculty at Stanford University. Dawn received her B.M. degree from the New England Conservatory of Music where she studied with Dorothy Delay and Josef Gingold. She received her M.A. from the State University of New York at Stony Brook.");
faculty[faculty.length++] = new Profile(
"Tony", "Doheny", "strings", "doheny.jpg", "Lecturer (Violin)",
"tonydoheny@hotmail.com", "408.867.5670", "", "",
"Anthony Doheny was born in Rockhampton, Queensland. After graduating from the Sydney Conservatorium of Music with a Diploma of Music, he spent six years as a member of the first violin section of the Sydney Symphony Orchestra. In February 1966, he commenced a Master of Arts in music at the University of Iowa. Upon completing this degree in June 1967, he was then awarded a Fellowship Grant to undertake doctoral studies in music at Stanford University. His doctorate was completed in 1972, and during that time Doheny taught violin at the Yehudi Menuhin Program at Neuva Day School for Gifted Childen in Hillsborough, California. In June 1975, Anthony returned to Australia to take up the position of Senior Lecturer in violin at the Queensland Conservatorium of Music. This position he held until, after the death of his wife, he entered the Conventual Franciscan Order in 1988. He is now a priest and currently Superior of the Order in Australia. Doheny has taught violin and viola at the Sydney Conservatorium, the University of Melbourne, and, most recently, at Monash University. Throughout his career, Doheny has continued to perform both in the United States and Australia. Former violin students include Graeme Jennings (former Second Violin, Arditti Quartet, London), Warwick Adeney (Co-Concertmaster, Queensland Orchestra), and many more in Australia and overseas. Doheny began composing seriously in 1990, and has written for piano, violin, voice, string trio, and other string music. Lately, he has concentrated on adding to the viola repertoire, which many teachers find to be very limited. Together with Fintan Murphy, head of strings at Monash University, a CD of Doheny’s works for viola and piano, titled Soul of the Viola, was produced and released in late 2004. At the suggestion of Murphy, Doheny has written a concerto for viola and string orchestra, which is scheduled to be premiered at Monash University in 2006. It will also be performed in San Francisco later that year.");
faculty[faculty.length++] = new Profile(
"Sharon", "Wei", "strings", "SharonWei.jpg", "Lecturer (Viola)",
"sharon.wei@mac.com", "650.725.2695", "", "http://www.sharonwei.net",
"Sharon Wei was a National Scholar and Canadian Merit Scholar at the University of Western Ontario under the tutelage of the late Lorand Fenyves. She completed her studies at the prestigious Curtis Institute of Music under Roberto Diaz and Karen Tuttle and with Jesse Levine at Yale University. In addition to her accomplishments as a violist, Sharon was the Outreach coordinator for the Yale School of Music from 2004-2007. As a recitalist, Sharon has performed in the U.S., Canada, and Europe, appearing at the Whitney Center in New Haven, Syrinx Series, Canoe Brook Series, Mooredale Concerts in Toronto, the Philadelphia Viola Society Concert Series, and a Debut Atlantic recital tour of the Maritime Provinces (2009-2010 season). Sharon has appeared as soloist with the Scarborough Philharmonic, International Symphony of Sarnia and Port Huron, Sinfonia Toronto, the Curtis Symphony Orchestra, Stratford Civic Orchestra, Orchestra of Southern Utah, Kitchener-Waterloo Chamber Orchestra, Civic Orchestra of New Haven, Connecticut Valley Chamber Orchestra, and the New Music Ensemble at the University of Austin Texas. Sharon has been principal violist of many orchestras, including the Verbier Festival Orchestra and the New York String Orchestra, and has been guest principal of the Canadian Opera Company, Reading Symphony, IPalpiti, Via Salzburg, Bridgeport Symphony, and Yale Philharmonia. Since 1998, she has been a guest violist with the Toronto Symphony and National Arts Centre Orchestra. As a current member of the Verbier Chamber Orchestra, Sharon has toured and recorded with Maxim Vengerov, Joshua Bell, Renee Fleming, Dmitri Sitkovetsky, and Emmanuel Ax. An avid fan of chamber music, Sharon has performed at the Ravinia Festival, Banff Centre for the Arts, Sarasota, Prussia Cove, Norfolk Chamber Music, and June in Buffalo New Music Festival. Her piano quartet, "Made in Canada", with violinist Judy Kang, cellist Rachel Mercer, and pianist Angela Park, were among the "80 Amazing Canadian Women to Watch" in Chatelaine Magazine. Sharon plays on a viola kindly on loan to her from the Banff Centre for the Arts. She has taught viola and coached chamber music in Yale’s undergraduate department and is currently teaching at Stanford University.");
faculty[faculty.length++] = new Profile(
"Stephen", "Harrison", "strings", "harrison.jpg", "Senior Lecturer (Cello)",
"stephenh@stanford.edu", "725.2689", "Braun 223", "",
"B.M., Oberlin Conservatory; M.M., (with Distinction), Boston University. Studied with George Neikrug, Andor Toth, Jr., Margaret Rowell, Eugene Lehner. Member, Ives String Quartet. Cellist, Stanford String Quartet (1983-1997). Solo cellist, San Francisco Contemporary Music Players. Former principal, the Chamber Symphony of San Francisco, New England Chamber Orchestra, The Opera Company of Boston. Faculty member the Rocky Ridge Music Center and the San Diego Chamber Music Workshop Centrum/Port Townsend Chamber Music Workshop. Recordings for CRI, Laurel Records, New Albion, AIX Entertainment, Delos, Centaur, and Music and Arts Recordings of America."
);
faculty[faculty.length++] = new Profile(
"Anthony", "Martin", "strings", "martin.jpg", "Lecturer (Baroque Violin)",
"a.p.martin@earthlink.net", "", "", "",
"A.B., Stanford; M.M., Peabody Conservatory. Doctoral studies at Boston University. Violin studies with Joseph Silverstein and Berl Senofsky; chamber music with Eugene Lehner. Founding member of, and numerous recordings with, Boston Early Music Festival Orchestra; Philharmonia Baroque Orchestra, San Francisco; Orchestra of the 18th Century, Amsterdam; Smithsonian Chamber Players, Washington, DC; Aston Magna, New York; The Bach Ensemble, New York; American Bach Soloists; Artaria Quartet; Novello Quartet; and String Circle."
);
faculty[faculty.length++] = new Profile(
"Bruce", "Moyer", "strings", "", "Lecturer (String Bass)",
"bmoyer1@email.sjsu.edu", "", "", "",
"B.A., Temple University, Philadelphia; M.A., New England Conservatory of Music, Boston. Teaching experience includes: San Jose State University, California; Concord Academy, Concord, MA; and Tufts University, Medford, MA."
);
faculty[faculty.length++] = new Profile(
"Geoff", "Nuttall", "strings", "nuttall.jpg", "Lecturer and Artist in Residence (First Violin, St. Lawrence String Quartet)",
"geoff@slsq.com", "725.2690", "Braun 209", "http://www.slsq.com/",
"B.M, University of Toronto with Lorand Fenyves. Artists’ Diplomas from Banff School of Fine Arts and Hartt School of Music, University of Hartford. Has appeared in recital and with orchestras throughout Canada. Served on the Jury for the International String Quartet Competition held at the Banff Center. Recipient of grants from the Ontario Arts Council and the Canada Council for the Arts."
);
faculty[faculty.length++] = new Profile(
"Lesley", "Robertson", "strings", "robertson.jpg", "Lecturer and Artist in Residence (Viola, St. Lawrence String Quartet)",
"lrobert6@aol.com", "723.2619", "Braun 204", "http://www.slsq.com/",
"B. Mus., University of British Columbia; M.Mus., The Juilliard School; Artists’ Diplomas from The Curtis Institute of Music; and the Hartt School of Music, University of Hartford. A founding member of the St. Lawrence Quartet, she has also performed with a wonderful array of artists including the Ying String Quartet, the Tokyo String Quartet, Musicians from Marlboro, and the Chamber Music Society of Lincoln Center. Ms. Robertson plays on a viola made in August 1995 by fellow Canadian John Newton."
);
// FLUTE FACULTY
faculty[faculty.length++] = new Profile(
"Alexandra", "Hawley", "flute", "hawley.jpg", "Lecturer (Flute)",
"flute@stanford.edu", "723.1661", "Braun 221", "",
"M.A. and B.A., Stanford University. Studied with Murray Panitz, Jean-Pierre Rampal. Founding member of the Stanford Woodwind Quintet. Founder and musical director of Avedis, a San Francisco chamber music series now in its 22nd season. Performed and recorded with Jean-Pierre Rampal. Has recorded for the Naxos label. Toured USSR as delegate for the National Flute Association and has been invited to perform at their Conventions in Boston, Los Angeles, San Diego, Kansas City and Las Vegas. Performs throughout the U.S. as a soloist and in chamber music ensembles."
);
faculty[faculty.length++] = new Profile(
"Melody", "Holmes", "flute", "holmesschaefle.jpg", "Lecturer (Flute)",
"schaefle@comcast.net", "723.1661", "Braun 221", "",
"M.A., B.A., Teaching Credential, San Jose State University. Studied with Isabelle Chapuis-Starr, Bettine Clemen. Master classes with Jean-Pierre Rampal, Ransom Wilson, Julius Baker, and James Pellerite among others. Winner of numerous solo and chamber music competitions. Ms. Holmes performs regularly as a soloist, chamber, and orchestral musician. As an educator, she has taught and directed within public and private school environments as well as at the University level. She owns and has maintained a private music studio for over 20 years providing instruction in flute/piano performance, musicianship, and theory. She is regularly sought after as a clinician and is the current Woodwind Instructor for the California Youth Symphony."
);
faculty[faculty.length++] = new Profile(
"Janet", "Maestre", "flute", "maestre.jpg", "Lecturer (Flute)",
"maestre@california.com", "723.1661", "Braun 221", "",
"B.M., University of Michigan. Studied with James Pellerite, Merrill Jordon, and Keith Underwood. Instructor of flute, University of California at Berkeley; principal flute and soloist, Berkeley Symphony Orchestra (Kent Nagano, Music Director). Founding member, The Vivace Players, Sterling Trio. Formerly with New Haven Symphony and San Francisco Ballet Orchestra."
);
faculty[faculty.length++] = new Profile(
"Karen", "Van Dyke", "flute", "vandykek.jpg", "Flute Ensemble Director",
"kvandyke@stanford.edu", "", "", "",
"Karen Van Dyke made her professional debut at the age of 17 when she performed as a soloist with the Baltimore Symphony. She currently maintains an active and versatile freelance career. In addition to the founding Director of Stanford?s highly acclaimed Flute Ensemble, Karen is the Director of the Northern California Flute Camp in Carmel Valley. In frequent demand in orchestral and chamber music capacities, she has performed with the Berkeley and San Jose Symphonies, has served as principal flute at the Anchorage Festival of Music, and performs with the Symphony Silicon Valley. A graduate of the University of Maryland, she has studied with William Montgomery, and Eleanor Lawrence and Frances Blaisdell. She has released one solo CD, Mouvements Perpetuels: Music for Flute and Guitar with guitarist Paul Binkley. In recent years, Karen has collaborated with numerous world-renowned flutists to produce master classes for the flute community at NCFC and at Stanford."
);
// COMPOSITION THEORY
faculty[faculty.length++] = new Profile(
"Mark", "Applebaum", "comptheory", "applebaum.jpg", "Associate Professor (Composition and Theory)",
"applemk@stanford.edu", "723.1656", "Braun 218", "http://www.markapplebaum.com/",
"Director of [sic]: the Stanford Improvisation Collective. B.A., Carleton College; M.A., Ph.D., University of California, San Diego. Studied with Brian Ferneyhough, Joji Yuasa, Rand Steiger; additional studies with Roger Reynolds, Phillip Rhodes, Mary Ellen Childs, Conlon Nancarrow. Selected commissions: Fromm Foundation, Merce Cunningham Dance Company, Vienna Modern Festival, Paul Dresher Ensemble, American Composers Forum, Betty Freeman, Zeitgeist, Meridian Arts Ensemble, MANUFACTURE (Tokyo), Belgium’s Champ D’Action, ADEvantgarde/Bayerische Theaterakademie (Munich), Electronic Music Midwest, Jerome Foundation, Harmida Trio. Recipient of the American Music Center’s Stephen Albert Award, Hincks Fellowship at Villa Montalvo Artist Colony, Jazz Society of Southern California Prize, 2005 2nd place emsPrize from Electronic Music Stockholm, Stanford’s 2003 Gores Award for Teaching Excellence. Performances include: Darmstadt New Music Courses, ICMC, Festival Spaziomusica, Young Nordic Music Festival, Sonic Circuits Hong Kong, SEAMUS, Southeastern Composers League, SIGGRAPH, the American Composers Orchestra’s OrchestraTech, Piano Spheres, Northwestern University New Music Marathon, the College Music Society, BONK Festival, Borges Festival in France, UNYAZI Festival South Aftrica, Time Canvas and TRANSIT Festivals in Belgium, the Essl Museum in Vienna, NIME at IRCAM in Paris, and the Kennedy Center. Papers include Experience Music Project’s Popular Music Studies conference, an article in New Music and Aesthetics in the 21st Century. Additional fields of interest include sound-sculpture design, jazz performance, collaborations with neural artists, animators, architects, florists, choreographers, laptop DJs. Recordings released on Innova, Tzadik, SEAMUS, & Capstone. Taught at Mississippi State University, Carleton College, and the University of California, San Diego."
);
faculty[faculty.length++] = new Profile(
"Talya", "Berger", "comptheory", "", "Lecturer (Theory)",
"talyab@stanford.edu", "724.6389", "Braun 227", "",
"B.A. Bachelor of Music, Jerusalem Rubin Academy of Music. M.A. in Music at Stanford University; D.M.A., State University of New York at Stony Brook. Early Music performance practice (harpsichord)."
);
faculty[faculty.length++] = new Profile(
"Brian", "Ferneyhough", "comptheory", "ferneyhough.jpg", "William H. Bonsall Professor (Composition)",
"brian.ferneyhough@stanford.edu", "725.3102", "Braun 225", "",
"ABSM degree, Birmingham School of Music, Royal Academy of Music, London; studies with Ton de Leeuw, Amsterdam conservatory, and Klaus Huber, Basel Conservatory. Awards: Mendelssohn Scholarship, 1968; Lady Holland Composition Award, Royal Academy of Music, 1967; Grand Prix du Disque, 1978 and 1982; Gaudeamus Music Week Prizes 1969 and 1970; Composition Stipend, City of Basle, 1969-71; Koussevitsky Prize 1978; Composition Stipend of Southwest German Radio, 1974-5; Chevalier dans l’Ordre des Artes et des Lettres, Paris 1984; Associate Royal Academy of Music, 1990; Royal Philharmonic Award for Chamber Music Composition, 1996; Fellow, Birmingham Conservatoire, 1995; Elected Member of the Akademie der Künste, Berlin, 1996; Fellow, Royal Academy of Music, 1998; Elected Corresponding Member of the Bayrische Akademie der Schönen Künste 2005. Activities: member of International Jury ISCM, 1980 (Finland) and 1988 (Hong Kong); member jury Gaudeamus Composition Competition 1983; member of International Reading Panel, IRCAM, 1993 & 1999; member of Kranichsteiner Preis Jury, Darmstadt, 1978-96; member of board, Perspectives of New Music 1995-present. Compositions featured throughout the world and at all the major European festivals of contemporary music. Compositions include: Fourth String Quartet, Bone Alphabet, Terrain, Allgebrah, Incipits, Unsichtbare Farben, String Trio. His opera Shadowtime was premiered as part of the Munich Biennale 2004, and has been taken to Paris, New York, Bochum and London 2004-5. In 2006, it was staged in Stockholm, Sweden. In October 2006, his orchestral piece Plötzlichkeit was premiered at the Donaueschingen Festival, Germany. His Fifth String Quartet was premiered in Witten and later played in the Aldeburgh and Salzburg Festivals. Publications: Collected Writings, Harwood Academic Publishers 1998; POETIK, and various articles and interviews."
);
// WINDS, BRASS, AND PERCUSSION
faculty[faculty.length++] = new Profile(
"David", "Henderson", "wbp", "henderson.jpg", "Lecturer (Saxophone)",
"davidhen@stanford.edu", "", "", "",
"David Henderson grew up in Hartford City, Indiana, and has degrees from the University of Michigan and the Juilliard School. In 1980, he gave his Carnegie Recital Hall solo debut as a winner of the East and West Artists competition - the New York Times stating 'an exceptionally accomplished instrumentalist with something to say, his work is poised, cultivated and expressive.' In 1981 he received a first prize in saxophone from the Conservatoire de Bordeaux as a recipient of a Fulbright-ITT grant to study in France. Since moving to San Francisco in 1988, he has played regularly with the San Francisco Symphony, including several tours and three recordings under maestro Michael Tilson Thomas. He has also toured with the BBC Symphony under Andrew Davis and performed with the New World Symphony, the San Francisco Opera and Ballet, the Bolshoi Ballet and Orchestra, and the St. Petersburg (Russia) Philharmonic. He has appeared as soloist with the Oakland/East Bay Symphony. In 1989 he joined the San Francisco Saxophone Quartet as tenor saxophonist and keyboard player. Starting out as street musicians in downtown San Francisco, the group was discovered on the street by the president of Angel/EMI records in 1990, and has since recorded four CD's and toured most of the 50 states as well as Japan. In 2005, he joined the Premiere Saxophone Quartet, artists-in-residence at San Jose State University. He has worked as a musician at Disney World and Great America theme parks, and played both on and off-Broadway during ten years in New York, including the original productions of Nunsense and March of the Falsettos. Mr. Henderson currently teaches saxophone in the Bay Area, both privately and at Los Medanos College, Dominican University and Stanford.");
faculty[faculty.length++] = new Profile(
"Mark", "Brandenburg", "wbp", "brandenburg.jpg", "Lecturer (Clarinet)",
"markgbrand@yahoo.com", "368.7384", "", "",
"B.M., M.S., The Julliard School. Graduate study in musicology, New York University. Studied with Frealon Bibbons Jr., Bernard Portnoy, Rosario Mazzeo. Principal clarinet, Opera San Jose Orchestra and Midsummer Mozart Festival Orchestra. Former member San Francisco Symphony and San Jose Symphony. Performances with San Francisco Opera, San Francisco Ballet, Western Opera Theatre, San Francisco Chamber Orchestra, Oakland East Bay Symphony, California Symphony, Cabrillo Music Festival. He has taught at San Francisco Conservatory and San Jose State University. Also currently teaches at University of California, Santa Cruz."
);
faculty[faculty.length++] = new Profile(
"Tony", "Clements", "wbp", "clements.jpg", "Lecturer (Tuba)",
"ttuba@earthlink.net", "", "", "",
"He began his studies at the age of 7. Attended Otterbein College, University of the Pacific, and California State University Northridge. Studied under Gary Tirey, Floyd Cooley, Tommy Johnson, Jim Self, and Roger Bobo. Tony has played with the San Francisco Symphony, the Oakland Symphony, The San Francisco Opera and Ballet Orchestras, and the Sacramento Symphony. He is currently serving as Interim Director of Bands at California State University East Bay, the conductor of Ohlone College Wind Orchestra, and he conducts the Tuba Union of the Bay Area."
);
faculty[faculty.length++] = new Profile(
"Robert", "Hubbard", "wbp", "hubbard.jpg", "Lecturer (Oboe)",
"huboboe@att.net", "408.623.2841", "", "",
"San Francisco Conservatory (1969). Orchestras included San Jose Symphony, Bay Chamber Symphony Orchestra, Midsummer Mozart Festival (co-founder and Principal Oboe), S.F. Symphony, S.F. Opera, Joffrey Ballet, American Ballet Theatre, Western Opera Theatre, and Oakland Symphony."
);
faculty[faculty.length++] = new Profile(
"Joyce", "Johnson-Hamilton", "wbp", "jhamilton.jpg", "Lecturer (Trumpet)",
"tromba@stanford.edu", "", "", "",
"B.M., M.M., University of Nebraska; graduate studies at Stanford University. Trumpet soloist, specialist in Baroque (natural) trumpet and Renaissance cornetto, symphony conductor. Music Director/Conductor, Diablo Symphony since 1980. Has been featured Baroque trumpet soloist with the Los Angeles Baroque Orchestra, the Jefferson Baroque Orchestra, the Pacific Baroque Orchestra, and the Northwest Chorale. Currently performs on Baroque trumpet with Magnificat Baroque Orchestra and California Bach Society. Currently performs on cornetto with the Whole Noyse Renaissance Wind Ensemble. Frequent guest conductor/trumpet soloist/arranger with the Seoul Philharmonic Orchestra in South Korea. Performed on recording with the Orchestra of the 17th Century of Washington, DC. Formerly principal trumpet with San Jose Symphony, Oakland Symphony, Cabrillo Festival Orchestra, Oregon Symphony; assistant principal, San Francisco Symphony. Former music director and conductor, San Jose Dance Theatre Orchestra, Napa Valley Symphony, San Jose State University Symphony, San Jose Symphony Young Peoples’ Concerts, Sinfonia of Northern California; assistant conductor, Oakland Symphony Orchestra. Taught at San Jose State University, Portland Public Schools, Westside (Omaha) Community Schools."
);
faculty[faculty.length++] = new Profile(
"McDowell", "Kenley", "wbp", "mkenley.jpg", "Lecturer (Trombone)",
"mcdowell@stanford.edu", "", "", "",
"Education: B.F.A., University of New Mexico (Pi Kappa Lambda); M.S., The Juilliard School; M.A., New York University; D.M.A., Stanford University. Studied Trombone with Alan Ostrander (N.Y. Philharmonic), Edward Kleinhammer (Chicago Symphony), and with Glenn Dodson and Robert S. Harper (Philadelphia Orchestra). Principal Trombonist, the San Francisco Opera; trombonist, Philharmonia Baroque Orchestra. Former member of the NBC Tonight Show Band, Doc Severinsen Orchestras, and the Santa Fe Opera Orchestra."
);
faculty[faculty.length++] = new Profile(
"James", "Matheson", "wbp", "matheson.jpg", "Lecturer (Oboe - Winter & Spring)",
"jhmatheson@earthlink.net", "", "", "",
"B.A., San Francisco State University. Studied with Robert Frost, Glen Johnston, Merrill Remington, Henri de Bussher. Member, Stanford Woodwind Quintet. Lecturer, Santa Clara University. Retired principal, San Francisco Opera. Retired principal, Portland Symphony; 2nd oboe, San Francisco Symphony. Former lecturer S.F. State University, Notre Dame (Belmont), Reed College (Portland)."
);
faculty[faculty.length++] = new Profile(
"Herbert", "Myers", "wbp", "myers.jpg", "Lecturer (Renaissance Winds)
Curator, Harry R. Lange Historical Collection of Musical Instruments and Bows",
"hwm@stanford.edu", "723.0635", "Braun 217", "",
"D.M.A., Stanford. Member of The Whole Noyse; former member, New York Pro Musica Antiqua. Recorded for Columbia, Orion, Intrada, and Musical Heritage Society. Articles and reviews in Early Music, The American Recorder, Journal of the American Musical Instrument Society, The Galpin Society Journal and Journal of the Viola da Gamba Society of America. EMA Performance Guides."
);
faculty[faculty.length++] = new Profile(
"Rufus", "Olivier", "wbp", "olivier.jpg", "Lecturer (Bassoon)",
"rufusojr@aol.com", "", "", "",
"A student of David Briedenthal of the Los Angeles Philharmonic. Member, Stanford Woodwind Quintet. Principal bassoonist of the San Francisco Opera Orchestra and S.F. Ballet Orchestra formerly with Los Angeles Philharmonic and San Francisco Symphony. International soloist and recording artist. Teaches at Mills College and Stanford University."
);
faculty[faculty.length++] = new Profile(
"Lawrence", "Ragent", "wbp", "ragent.jpg", "Lecturer (Horn)",
"larryragent@astound.net", "", "", "",
"B.M. with honors, New England Conservatory. Member, Stanford Woodwind Quintet, San Francisco Contemporary Music Players, San Francisco Opera Orchestra; has performed with San Francisco Symphony Orchestra and the Boston Symphony."
);
// VOICE FACULTY
faculty[faculty.length++] = new Profile(
"Claire", "Giovannetti", "voice", "giovannetti.jpg", "Lecturer (Voice)",
"claireg@stanford.edu", "725.2692", "Braun 212", "",
"M.A., Music, San Francisco State University. Served as soloist and/or Assistant Conductor with San Francisco Symphony Chorus, San Francisco Festival of Masses, Byron McGilvray Chorale, Masterworks Chorale, Schola Cantorum, and ten years as a member, Conductor, and Music Director, San Francisco Choral Artists. Music Director, St. Charles Church, San Carlos. She has taught at San Francisco State University, College of San Mateo, San Francisco Conservatory, Mercy and Notre Dame High Schools."
);
faculty[faculty.length++] = new Profile(
"Nova", "Jiménez", "voice", "jimenez.jpg", "Lecturer (Voice)",
"njimenez@stanford.edu", "", "", "",
"B.M., University of the Pacific Conservatory of Music; M.M., New England Conservatory of Music. Founding member of soprano ensemble Bella Sorella (www.bellasorella.net), tours actively in both the U.S. and abroad. Performed with ArtsPower National Touring Company, Berkeley Repertory Theatre, Marin Theatre Company, West Bay Opera, Mission City Opera, Capitol Opera Sacramento, Jarvis Zarzuela Conservatory, and the Daniel Ferro Vocal Program. Awards include National Association of Teachers of Singing and Sacramento Symphony and Stockton Symphony Young Artist Award. Member of Recording Academy, Actors Equity Association (AEA), and ASCAP. Taught at University of California, San Diego, Scripps Performing Arts Center, Scripps Dance Centre, Performing Artists At Lincoln School, PALS (Brookline, MA), Steinbeck Middle School, and Theatre Fun (San Jose, CA), as well as in her private voice studio."
);
faculty[faculty.length++] = new Profile(
"Mary", "Linduska", "voice", "linduska.jpg", "Lecturer (Voice)",
"mlinduska@aol.com", "", "Braun 103", "",
"B. M. (vocal performance); B.S. (music education) University of Illinois, coached with John Wustman and David Lloyd. She has sung throughout the Bay area in oratorio, recital and opera. She currently teaches voice classes at Stanford during the summer quarter, as well as teaching voice classes and a chorus at Mission College in Santa Clara. She has taught at University of California Santa Cruz, San Jose State University, and Santa Clara University. She maintains a private studio in Campbell, where she has been teaching for the past 13 years."
);
faculty[faculty.length++] = new Profile(
"Malcolm", "Slaney", "ccrma", "slaney.jpg", "Lecturer (CCRMA)",
"malcolm@ccrma.stanford.edu", "723.4971 X300", "Knoll", "http://ccrma.stanford.edu/~malcolm/",
"BSEE, MSEE, and Ph.D., Purdue University. Special fields: auditory perception, auditory modeling, signal processing. Publications: Principles of Computerized Tomographic Imaging (IEEE and SIAM Classic); co-editor of Computational Models of Auditory Function (IOS Press)."
);
faculty[faculty.length++] = new Profile(
"Julius O.", "Smith", "ccrma", "smith.jpg", "Professor (CCRMA, and by courtesy, Electrical Engineering)",
"jos@ccrma.stanford.edu", "723.4971 x302", "Knoll 306", "http://ccrma.stanford.edu/~jos/",
"B.S., Rice University; Ph.D., Stanford University. Special fields: musical acoustics, signal processing, physical modeling, spectrum analysis, digital filtering. Articles in the Computer Music Journal, Journal of New Music Research, Journal of the Acoustical Society of America, various IEEE Transactions."
);
faculty[faculty.length++] = new Profile(
"Mark", "Veregge", "wbp", "veregge.jpg", "Lecturer (Percussion)",
"markveregge@comcast.net", "", "Braun Rehearsal Hall", "",
"B.M., San Jose State University; M.M., The Juilliard School. Studied with Elden Bailey, Anthony Cirone, Saul Goodman, Barry Jekowsky, Roland Kohloff. Has served as Principal Timpanist with the Caracas Philharmonic, as well as the Mexico City Philharmonic; currently performs with San Francisco Opera, San Francisco Ballet, San Francisco Symphony. Principal Percussionist, California Symphony and Opera San Jose. Active in the chamber-music arena with Composers, Inc., and EARPLAY. Awards: Saul Goodman Scholarship, Juilliard; first-place award for Timpani, Percussive Arts Society Competition; Richards Club Scholarship, San Jose State University."
);
faculty[faculty.length++] = new Profile(
"Gregory", "Wait", "voice", "wait.jpg", "Senior Lecturer (Voice and Choral Conducting)",
"tenor@stanford.edu", "723.1244", "Braun 233", "",
"B.M., Chapman College; graduate studies at California State University, Fullerton. Taught at Chapman College. Tenor soloist with Los Angeles Master Chorale, Carmel Bach Festival. Recorded for Orion and Crystal. Winner, Western Regional Metropolitan Opera Prize, 1976. Music Director, Schola Cantorum, 1989 to present. Conductor, Congregational Oratorio Society, 1985 to present. Dean?s Award for Distinguished Teaching, 1997-1998."
);
/* ***************************************************************************************************************
PASTE NEW PROFILES AFTER THIS MARQUEE BUT BEFORE THE NEXT MARQUEE
*************************************************************************************************************** */
faculty[faculty.length++] = new Profile(
"Robin", "Sharp", "strings", "RSharp.jpg", "Lecturer (Violin)",
"rsharp@stanford.edu", "725.2698", "Braun 212", "http://www.robinsharp.org",
"Violinist Robin Sharp, a native of California, is in demand as a solo performer, chamber musician, concertmaster, and teacher. In addition to maintaining private teaching studios in San Francisco and Palo Alto, Ms. Sharp performs as concertmaster of the San Francisco Chamber Orchestra with conductor Benjamin Simon. Ms. Sharp also served as concertmaster for the Berkeley Symphony with conductor Kent Nagano for six seasons, and was a guest concertmaster for a concert in Germany under conductor Vladimir Ashkenazy. She is currently on the Artistic Advisory Board of the San Francisco Chamber Orchestra and teaches violin at UCBerkeley. She is also on the faculty of California Summer Music in Pebble Beach, California where she played a special Tenth Anniversary Celebration Art and Music recital in 2006 with pianist Lori Lack, featuring the works of painters Tiffany Graham and Kathleen Lack. Ms. Sharp has appeared in recital at many prestigious venues including Carnegie Hall in New York, the Musikverein in Vienna, the Concertgebouw in Amsterdam, the National Music Hall in Taipei, and the Palace of the Legion of Honor in San Francisco where she performed on Jascha Heifetz’s Del Gesu violin. She is a frequent guest on the Chancellor’s Concert Series sponsored by the University of California at San Francisco and has appeared in recital on the Old First Church concert series in San Francisco. In January 1998, Ms. Sharp represented Carnegie Hall in their Rising Stars Series, when she and her duo partner Jeremy Denk played a recital at Carnegie’s Weill Recital Hall following a European tour. The duo also performed on Carnegie Hall’s main stage under the guidance of Isaac Stern. Ms. Sharp has participated in music festivals worldwide, including the Musikalischer Sommer Festival in Germany, the Marlboro Music Festival, the Aspen Music Festival, the Sandor Vegh masterclasses at Prussia Cove, and the Isaac Stern Seminar in New York. She has formerly served as first violinist of the Ives String Quartet, which toured nationally, and has played several seasons with the San Francisco Symphony. Ms. Sharp has been a professor of violin at the San Francisco Conservatory of Music in both the Preparatory and Collegiate divisions, at Santa Clara University, and at Sacramento State University of California. Among her collaborators in performance have been such artists as Dimitri Ashkenazy (clarinet), Jon Nakamatsu (piano), Lori Lack (piano), and conductors such as Raymond Leppard, Peter Oundjian, and Vladimir Ashkenazy. Ms. Sharp is a Laureate prize winner of the 1994 Indianapolis Violin Competition and is featured in a documentary about the competition. At present, a violin concerto is being composed for Ms. Sharp by composer Gabriela Lena Frank.");
faculty[faculty.length++] = new Profile(
"Paul", "DeMarinis", "ccrma", "demarinis.png", "Associate Professor, Art and Art History
By Courtesy, Associate Professor, Music",
"demarini@stanford.edu", "6-0325", "", "http://www.stanford.edu/~demarini/",
"Paul DeMarinis has been working as an electronic media artist since 1971 and has created numerous performance works, sound and computer installations and interactive electronic inventions. He has performed internationally, at The Kitchen, Festival d’Automne a Paris, Het Apollohuis in Holland and at Ars Electronica in Linz and created music for Merce Cunningham Dance Co. His interactive audio artworks have been shown at the I.C.C. in Tokyo, Bravin Post Lee Gallery in New York and The Museum of Modern Art in San Francisco. He has been an Artist-in-Residence at The Exploratorium and at Xerox PARC and has received major awards and fellowships in both Visual Arts and Music from The National Endowment for the Arts, N.Y.F.A., N.Y.S.C.A., the John Simon Guggenheim Foundation, the Rockefeller Foundation New Media Award and the D.A.A.D. Berlin Artist Fellowship. Much of his work involves speech processed and synthesized by computers, available on the Lovely Music Ltd. compact disc "Music as a Second Language", and the Apollohuis CD "A Listener’s Companion" Major installation works include "The Edison Effect" that uses optics and computers to make new sounds by scanning ancient phonograph records with lasers, "Gray Matter" that uses the interaction of body and electricity to make music, and "The Messenger" and "Firebirds" that examine the myths of electrical communication. Public artworks include large scale interactive installations at Park Tower Hall in Tokyo, at the 1996 Olympics in Atlanta and Expo 1998 in Lisbon and an interactive audio environment at the Ft. Lauderdale International Airport in 2003.");
faculty[faculty.length++] = new Profile(
"John", "Worley", "jazz", "WorleyJ.jpg", "Lecturer (Jazz Trumpet)",
"john@johnworley.com", "", "", "http://www.johnworley.com/",
"John L. Worley Jr., trumpet/flugelhorn artist and leader of WorlView and Bari Bari, has been a member in many of the Bay Areas creative music ensembles for last 20+ years. John has played with many national and international artists in Canada, Europe, Central and North America. WorlView made its debut performance at the 2004 San Jose Jazz Festival and recently played at the 2007 San Jose Jazz Festival, two Pacific Northwest tours and the Monterey Jazz Festival in 2006. John’s latest venture "Bari Bari" made its debut in 2008 in an appearance at the Improv as part of the Sunday Jazz series produced by San Jose Jazz. His recording and performance credits include: "Re-Birth of The Cool" project co-leading with Wayne Wallace at the Stanford Jazz Festival in 2006, Carla Bley/Steve Swallow Big Band and The Jon Jang Seven at the 2005 Monterey Jazz Festival, West Coast tours with Ed Johnson and Novo Tempo in 2003, 2004 and 2005, Maria Schneider and Ingrid Jensen at the San Francisco Jazz Festivals Women In Jazz concert series, Don Byron at the Monterey Jazz Festival 2002, Stanley Clarke at Yoshi’s, Sam Rivers Big Band at the 2001 Stanford Jazz Workshop, Wayne Shorter Sextet and the Monterey Jazz Festival Chamber Orchestra at the 2000 Monterey Jazz Festival. John’s debut CD WorlView was released in 2003 on his label, Dancing Sumo Records. John also produced Sebastien Lanson’s debut recording "In Transition" in 2004. John is a clinician/endorsing artist for Conn/Selmer Inc and plays Bach Stradivarius Trumpets.");
faculty[faculty.length++] = new Profile(
"Daisy", "You", "strings", "youDaisy.png", "Lecturer (Gu-Zheng)",
"huiyou@stanford.edu", "510-673-3098(cell)", "510-683-8848(h)", "",
"Known as one China’s most distinguished Zheng (Gu-Zheng or Zither) soloists, Hui (Daisy) You was born in Wuhan, Hubei Province, China. In 1978, You was admitted to the middle school of the Shanghai Conservatory of Music and completed in 1983 with an excellent record. She continued to study Zheng at the Shanghai Conservatory of Music. You also studied piano, qin, pipa, Chinese percussion music, and composition. In 1987, she graduated summa cum laude with a bachelor’s degree in Zheng. You has won many awards in Zheng, including first place in the Shanghai Spring Music Festival in 1986, the excellent award in the Art Competition for Chinese Instruments held in Beijing in 1989, Zheng competition sponsored by CCTV in the same year and many Chinese domestic awards. Her musical recordings can be found on many publicly released CDs. You has been profiled in many documentary radio programs such as Voice of America, China National Broadcasting Radio Station,(which introduces Chinese culture and music in thirty different languages) Shanghai Radio Station, Xing Tao Chinese Radio US and many other regional radio stations. Her CDs Xian San, Fighting the Hurricane, and Sewing a Purse have sold numerous copies. Since her immigration to U.S. in 1991, You has dedicated most of her time to teaching students and introducing Chinese music to the American public. She was one of the performers in the annual "Bridge and Gate" show in the Bay Area. In addition, her students have had successful performances with the North America Elite Youth Orchestra in 1999 and 2000 and received domestic and International Competitions awards. You joined the China Cultural Goodwill Tour of the Hunan Arts Group as a soloist and performed at the Majestic Theater in Dallas, Texas, in September of the same year. She has appeared as a soloist with the Ohlone Symphonic Pops Orchestra, the New Music Works, the San Jose Chamber Orchestra, and the San Francisco World Music Festival. You is enthusiastic about incorporating music from different cultures into Zheng performances.");
faculty[faculty.length++] = new Profile(
"George", "Barth", "keyboard", "barth.jpg", "Professor (Teaching: Piano, Fortepiano, Theory)
Billie Bennett Achilles Director of Keyboard Programs",
"barth@stanford.edu", "725.2691", "Braun 234", "",
"B.A., Wesleyan University; M.F.A., D.M.A., Cornell University. Special fields: piano and fortepiano, 18th- through 20th-century performance practice, rhetoric and music, the piano music of Beethoven, Chopin, Mozart, Brahms, Ives, and Bart?k. Studied with Jon Barlow, Malcolm Bilson, and John Kirkpatrick. Appearances as recitalist, as soloist with orchestra, and as musicologist throughout the U.S. and Central Europe. NEH Fellow, 1989. Publications: Understanding Beethoven: The Mind of the Master (CD-ROM for Oxford/Stanford/Yale Alliance for Lifelong Learning, 2002); The Pianist as Orator: Beethoven and the Transformation of Keyboard Style, 1992; articles and reviews in Early Music, Early Keyboard Studies Newsletter, Humanities, Hungarian Quarterly, Music & Letters, Music Library Association Notes, New Grove Dictionary II. Recitals: Old First Concerts with Miriam Abramowitsch, mezzo soprano (San Francisco, 2002); Gallery Concerts with Tamara Friedman, fortepiano (Seattle, 2001); Mozart Concertos with the St. Lawrence String Quartet (Cantor Arts Center, Stanford, 2000); Trinity Concerts (Berkeley, 1999); Concerts on the Fringe (Berkeley Festival, 1996); San Francisco Early Music Society (1996). Presenter: Humanities West Symposium Beethoven: Resonant Genius (2003); First International Carl Czerny Symposium (Edmonton, 2002); Juilliard School’s International Symposium on Performing Mozart’s Music (1991); Westfield Center’s Bicentenary Humanities Symposium on Mozarts Nature, Mozarts World (1991); Ira Brilliant Center for Beethoven Studies, SJSU (1991). Recording: Beethoven Cello Sonatas with Stephen Harrison, cello (Alliance for Lifelong Learning, 2002), Music & Arts, Boston Public Radio. Lecturer for Stanford Continuing Studies, 2001 (Beethoven’s Cello Sonatas); 1998 (Beethoven Quartet Cycle); Stanford Series in the Arts, 1993 (Bartok)."
);
faculty[faculty.length++] = new Profile(
"Jerome", "Simas", "wbp", "JSimas.jpg", "Lecturer (Clarinet)",
"jcsimas@pacbell.net", "510.703.6882", "", "",
"Jerome Simas has performed in solo, chamber, and orchestral settings in the US and abroad. He is currently acting principal clarinetist with the San Francisco Opera. For two seasons, he was acting second clarinetist with the San Francisco Symphony, having participated in US, Europe and China tours, weekly subscription concerts, and their on-going recordings of the complete Mahler Symphonies for the SFS Media label. As a chamber musician, he studied and performed at the Marlboro Music Festival in Vermont and also represented the New World Symphony in chamber music concerts in Europe and the Eastern US. Currently, He is a member of the innovative and critically acclaimed San Francisco-based chamber group, the Left Coast Chamber Ensemble. He won First Prize at the International Clarinet Society’s Young Artist’s Competition, Grand Prize at the Fischoff National Chamber Music Competition, and First Prize at the Yellow Springs, OH National Chamber Music Competition. A resident of San Francisco, he is principal clarinetist with the Oakland East Bay, California, and Modesto symphony orchestras. He performed as soloist with the New World Symphony, Monterey Symphony, Modesto Symphony, Iris Chamber Orchestra, and the Cleveland Institute of Music Symphony, where he received his BM and MM as a student of Cleveland Orchestra principal clarinetist, Franklin Cohen.");
faculty[faculty.length++] = new Profile(
"Jonathan", "Berger", "ccrma", "bergerj.jpg", "Professor (CCRMA)
William R. and Gretchen Kimball University Fellow in Undergraduate Education
Billie Bennett Achilles Professor in Performance",
"brg@ccrma.stanford.edu", "723.4971 x301", "Knoll 303", "http://ccrma.stanford.edu/~brg/",
"M.F.A., California Institute of the Arts; D.M.A., Stanford University. Recipient of awards and prizes from the National Endowment for the Arts, ASCAP, Chamber Music America, Morse, Mellon, Ford, and Rockefeller Foundations and Bourges prizes. In addition to recent works for interactive electronics, he has written symphonic and chamber works (including four large orchestral works, a piano concerto, a viola concerto, three string quartets, and a piano quintet), choral and vocal music, and works for computer alone. Berger’s millennium sound installation, Echoes of Light and Time was heard by over 2 million visitors and received international praise. Research includes studies in music cognition, snal processing and statistical methods for automatic music recognition, classification and transcription, and sonification. Founding director of Yale University’s Center for Studies in Music Technology. Works can be heard on the Sony Classical, Harmonia Mundi, Centaur, Neuma, CRI, and IMA labels.");
faculty[faculty.length++] = new Profile(
"Thomas D.", "Rossing", "ccrma", "rossing.jpg", "Visiting Professor (CCRMA)",
"rossing@ccrma.stanford.edu", "", "", "",
"BA, Luther College; MS and PhD, Iowa State University. Areas of research: Musical acoustics, acoustics of musical instruments, psychoacoustics. Author of 15 books and over 400 scientific publications, 9 U.S. and 11 foreign patents, mainly in acoustics, magnetism, and condensed matter physics. Fellow of ASA, APS, AAAS, and IEEE. Biography in New Grove Dictionary of Music and Musicians, Who’s Who in America. Received Millikan medal (AAPT) and Silver medal in musical acoustics (ASA).");
faculty[faculty.length++] = new Profile(
"Fredrick", "Berry", "jazz", "berry.jpg", "Lecturer (Jazz Studies)
Director of the Jazz Orchestra",
"qabjazz@sbcglobal.net", "723.0573", "Braun 232", "",
"B.Mus., M.M., Southern Illinois University; graduate studies at Stanford University. Frequent conductor/performer(trumpet) in Bay Area jazz ensembles.."
);
faculty[faculty.length++] = new Profile(
"Marina", "Bosi", "ccrma", "bosi.jpg", "Consulting Professor (CCRMA)",
"mab@ccrma.stanford.edu", "723.4971 x362", "Knoll 306", "",
"Laurea (doctorate) in Physics, University of Florence, Italy; thesis work completed with Giuseppe di Giugno at IRCAM, Paris, France; Diploma in Flute, National Conservatory of Florence, Italy; Honor Diploma in Flute, Accademia Chigiana, Siena, Italy. Studied flute with Severino Gazzelloni and Andras Adorjan. Currently Chief Technology Officer, MPEG LA, LLC and Past-President Audio Engineering Society (AES). Active leader in numerous professional organizations including AES, ANSI, ASA, ATSC, DVB, DVD, ISO, IEC, IEEE, ITU, SMPTE. She had received the AES Board of Governors and Fellowship Awards; ISO/IEC for special contributions to ISO/IEC 13818-7 (MPEG Advanced Audio Coding -AAC); Accademia Nazionale dei Lincei; and the Bourse du Gouvernement Français. Numerous publications and patents in the field of perceptual audio coding, multichannel audio, and signal processing applied to audio. Author (with R. E. Goldberg) of the book Introduction to Digital Audio Coding and Standards, Kluwer Academic Press, December 2002."
);
faculty[faculty.length++] = new Profile(
"Ge", "Wang", "ccrma", "WangGe.jpg", "Assistant Professor (CCRMA, and by courtesy, Computer Science)",
"ge-at-ccrma-dot-stanford-dot-edu", "", "Knoll 212", "http://ccrma.stanford.edu/~ge/",
"B.S., Duke University; Ph.D., Princeton University. Research areas: real-time software systems for computer music, programming languages, visualization, new performance ensembles (e.g., laptop orchestras) and paradigms (e.g., live coding), interfaces for human-computer interaction, education at the intersection of computer science and music. Chief architect of the ChucK programming language; founder and director of the Stanford Laptop Orchestra (SLOrk); articles in Computer Music Journal, Journal of New Music Research, Organised Sound, Proceedings of ICMC, ACM conferences."
);
faculty[faculty.length++] = new Profile(
"Chris", "Chafe", "ccrma", "chafe.jpg", "Director of CCRMA
Duca Family Professor of Humanities and Sciences (CCRMA)",
"cc@ccrma.stanford.edu", "723.4971 x305", "Knoll 301", "http://ccrma.stanford.edu/~cc/",
"B.A., Antioch College; M.A., University of California, San Diego; D.M.A., Stanford University. Special fields: composition, contemporary music performance, musical signal analysis and modeling, computer networks for audio, new instrument design. Recordings available on compact disc. Articles published in various technical journals including Journal of New Music Research, Computer Music Journal, Contemporary Music Review, Proceedings of ICMC, IEEE conferences."
);
faculty[faculty.length++] = new Profile(
"Albert", "Cohen", "musicology", "cohen.jpg", "Wm. H. Bonsall (Emeritus) Professor of Music (Musicology)",
"alcohen@stanford.edu", "736.1516", "Braun 222A", "",
"BS (Violin) Juilliard School of Music, MA and PhD ( Musicology) New York University. Special fields: history of music theory, French music of the 17th and 18th centuries. Publications: Music in the French Royal Academy of Sciences (Princeton, 1981), Music in the Royal Society of London, 1660-1806 (Info. Coordinators, 1987); edition of J.-B. Lully’s Ballet Royal de Flore (Olms Verlag, 2001). Articles and reviews: The Musical Quarterly, Journal of the AMS, Journal of Music Theory, MLA Notes, Congress Reports, The Music Review, Music and Letters, Galpin Society Journal, New Grove Dictionary, Recherches, Comptes-rendus, Musique Ancienne, Isis, Journal of the American Instrument Society, Metascience, Performance Practice Review, Journal of Musicological Research. Chapters in Aspects of Medieval and Renaissance Music, French Musical Thought, Convention in 18th- and 19th-Century Music, Festa Musicologica, Quellenstudien zu Jean-Baptiste Lully, Cambridge History of Western Music Theory. Grants: Guggenheim Foundation, Fulbright Program, American Council of Learned Societies, National Endowment for the Humanities."
);
faculty[faculty.length++] = new Profile(
"Jesse", "Rodin", "musicology", "jrodin.jpg", "Assistant Professor (Musicology)",
"jrodin@stanford.edu", "723.0617", "", "",
"Ph.D., Harvard University. Special fields: Franco-Flemish polyphony of the fifteenth century; music in renaissance Rome; performance of renaissance music; late-medieval music notation; Jewish music. Articles in The Journal of Musicology and Early Music. AMS 50 fellow (2006); Paul A. Pisk Prize (2006). In progress: edition of Josquin’s L'homme arm masses for the New Josquin Edition; complete edition of the music of Marbrianus de Orto (d. 1529) for the Masters and Monuments of the Renaissance series; monograph on Josquin and music in the Sistine Chapel."
);
faculty[faculty.length++] = new Profile(
"Shana", "Goldin-Perschbacher", "musicology", "goldin-perschbacher.jpg", "Postdoctoral Fellow, Andrew W. Mellon Fellowship of Scholars in the Humanities; Lecturer (Musicology, Feminist Studies)",
"shana.goldin-perschbacher@stanford.edu", "", "", "",
"Ph.D., University of Virginia. BMA (viola), University of Michigan. Special fields: popular music, feminist and queer theory, "art" music in "popular" contexts, critical and comparative studies in music. Current book project considers singer songwriters from the last twenty years who have challenged gender stereotypes through their music and personae. Engaging interdisciplinary methodologies from musical analysis, critical theory, and ethnography, the project examines musical gender and genre boundaries, musical sensuality, and the sometimes uncomfortable intimacy with which listeners relate to their favorite music. Case studies include Jeff Buckley, Meshell Ndegeocello, Björk, and Antony Hegarty. Dissertation, "Sexuality, Listening, and Intimacy: Gender Transgression in Popular Music, 1993-2008," supported by a 2007-2008 American Association of University Women Dissertation Fellowship. Conference presentations include AMS, SEM, IASPM, FTM, and EMP. Article on Jeff Buckley appears in Oh Boy!: Masculinities and Popular Music (Routledge, 2007). Currently plays baroque viola. Yale University Lecturer in LGBT Studies, Women’s, Gender, and Sexuality Studies, and Music (2008-2009). Teaching has included graduate and undergraduate courses: Classical Music in Modern American Culture, Queer Musicology, Gender and Sexuality in Popular Music, History of American Popular Music, Introduction to Music Research, Introduction to LGBT Studies, Gender Transgression, Musicianship, and Women’s Lives in Myth and Reality."
);
faculty[faculty.length++] = new Profile(
"Jay", "Kadis", "ccrma", "kadis.jpg", "Lecturer and Audio Recording Engineer (CCRMA)",
"jay@ccrma.stanford.edu", "723.4971 x314", "Knoll 106", "http://ccrma.stanford.edu/~jay/",
"B.S. and M.A. degrees in Biological Science, California State University, Hayward; further studies in electrical engineering, University of California, Berkeley. Fields of interest: audio recording and music production, neurophysiology, songwriting, rock and jazz guitar performance. Research articles in Journal of Electrophysiological Techniques and Brain Research while employed as research assistant at Stanford Medical School. Neurology Research Laboratories. Engineered recordings for Ontario Records, Lyrichord, Pictoria Records and two compact discs with his band Offbeats on Dexter Records. Freelance producer/engineer; owner, Dexter Records. Member Audio Engineering Society and faculty advisor to Stanford Student Section."
);
faculty[faculty.length++] = new Profile(
"Fernando", "Lopez-Lezcano", "ccrma", "lopez-lezcano.jpg", "Lecturer, Composer, and Systems Administrator (CCRMA)",
"nando@ccrma.stanford.edu", "723.4971 x307", "Knoll 206", "http://ccrma.stanford.edu/~nando/",
"Master Degree in Electronic Engineering, Faculty of Engineering, University of Buenos Aires, Argentina; M.J., Carlos Lopez Buchardo National conservatory, Buenos Aires. He has been working in the field of electroacoustic music since 1976 (instrument design, composition, performance) and has also worked in industry as a microprocessor hardware and software design engineer for embedded real-time systems. His 1986 piece, Quest, won a mention in the 1990 Bourges competition. He has taught Introduction to Electronic Music at Keio University (Shonan Fujisawa campus), Japan. His music has been released on CD and played in the Americas, Europe, and East Asia."
);
faculty[faculty.length++] = new Profile(
"Max V.", "Mathews", "ccrma", "mathews.jpg", "Professor (CCRMA, Emeritus)",
"mvm@ccrma.stanford.edu", "723.4971 x310", "Knoll 103", "",
"Fields: computer music and graphics, speech, acoustics, new instruments.Publications: Technology of Computer Music, 1969.
Contributor: Time Series Analysis, 1963; Interactions of Man and His Environment, 1966; Programmed Instruction and the Hospital, 1967; Music by Computers, 1969; On Research Libraries, 1969; Verbal Learning Research and the Technology of Written Instruction, 1971. Articles in Bell Laboratories Record, Computer Music Journal, Creative computing, Digital Audio, Gravesaner Blätter, Journal of the Acoustical Society of America, Perspectives of New Music, Physics Today, Science, Scientific American, Fellow, Acoustical Society of America, 1961; Inst. of Electrical and Electronics Engineers (IEEE) David Sarnoff Gold Medal Award, 1973, Fellow, 1975; National Academy of Sciences, 1975; National Academy of Engineering, 1979; Fellow, American Academy of Arts and Sciences, 1982; Fellow, Audio Engineering Society, 1983; Acoustical Society of America Silver Medal in Musical Acoustics, 1989; Massachusetts Institute of Technology Distinguished Alumnus, 1989.
"
);
faculty[faculty.length++] = new Profile(
"Thomas", "Grey", "musicology", "tgrey.jpg", "Professor (Musicology, and by courtesy, German Studies)",
"tsgrey@stanford.edu", "723.3479", "Braun 219", "",
"Ph.D., University of California, Berkeley. Special fields: Wagner, 19th-century opera, history of musical aesthetics and criticism, Romantic music and visual culture. Author of Wagner?s Musical Prose: Texts and Contexts, 1995. Editor and co-author of Richard Wagner: The Flying Dutchman, 2000, and Cambridge Companion to Wagner, forthcoming. Articles and reviews in JAMS, 19th Century Music, Music Library Association Notes, Current Musicology, Opera Quarterly, Cambridge Opera Journal, Beethoven Forum, Wagner, 19th-Century Studies; Analyzing Opera, 1989; Music Theory in the Age of Romanticism, 1996; The Arts Entwined (2000); Music and German Identity, 2001; The Don Giovanni Moment (2005); International Dictionary of Opera, Revised New Grove Dictionary, and ENO Opera Handbooks. Chapters contributed to The Wagner Compendium, 1992; The Mendelssohn Companion, 2001; Cambridge Companion to Grand Opera, 2003; Cambridge History of 19th Century Music; New History Of German Literature; and Cambridge Opera Handbooks: Tristan und Isolde, forthcoming. Editor-in-Chief, Journal of the American Musicological Society (1999-2001). Editorial/advisory board: Cambridge Opera Journal, Nineteenth-Century Music Review, Wagner Spectrum. Grants: DAAD (1985); Getty Center for the History of Art and the Humanities (Fellow 1986-87); National Endowment for the Humanities (1993); Alexander von Humboldt Stiftung (2005, 1994). Visiting Assoc. Prof., University of California, Berkeley (2005); Visiting Asst. Professor in Music, UCLA, 1988-89."
);
faculty[faculty.length++] = new Profile(
"Heather", "Hadlock", "musicology", "hadlock.jpg", "Associate Professor (Musicology)",
"hhadlock@stanford.edu", "723.0626", "Braun 231B", "",
"Ph.D., Princeton University. Special fields: 18th- and 19th-century French and Italian opera; music and literature; feminist criticism and gender studies; French Romanticism. Author of Mad Loves: Women and Music in Offenbach?s Les Contes d?Hoffmann, Princeton University Press, 2000. Chapters contributed to The Cambridge Companion to Rossini, Cambridge University Press, 2003; Women’s Voices Across Musical Worlds, Northeastern University Press, 2003; Berlioz: Past Present, Future, U of Rochester Press, 2003; Siren Songs, Princeton University Press, 2000; Musicology and Sister Disciplines, Oxford University Press, 2000. Articles and reviews in Journal of the American Musicological Society; repercussions; Cambridge Opera Journal; Opera Quarterly; Journal of Musicological Research. Book Review Editor, Cambridge Opera Journal. AMS 50 Fellow, 1995; Green Faculty Fellow, 2000; Stanford Humanities Center Fellow, 2000. Chair, AMS Committee on the Status of Women, 2004-present."
);
faculty[faculty.length++] = new Profile(
"Stephen", "Hinton", "musicology", "hinton.jpg", "Professor (Musicology)
Senior Associate Dean for the Humanities and Arts, School of Humanities and Sciences",
"shinton@stanford.edu", "723.0731", "Braun 214", "http://www.stanford.edu/~shinton/",
"B.A., Ph.D., University of Birmingham, UK. Special fields: aesthetics, history of theory, music of Hindemith, Weill, and Beethoven. Publications: Kurt Weill: The Threepenny Opera, 1990; The Idea of Gebrauchsmusik, 1989. Editions: Hindemith, Symphony Mathis der Maler; Weill, Die Dreigroschenoper, Gesammelte Schriften (rev. 2000). Articles and reviews in: Journal of the American Musicological Society, Music und Verstehen, Musiktheoretisches Denken und kultureller Kontext, A New History of German Literature, Beitr?ge zur Kleist-Forschung, Europäische Musikgeschichte, Driven into Paradise, Die klassizistische Moderne in der Musik des 20, Jahrhunderts, Oxford Encyclopedia of Aesthetics, Music and Performance in the Weimar Republic, A Stranger Here Myself: Kurt-Weill-Studien, Musica/Realt?, 19th-Century Music, Musik als Text, New Music and Ideology, Expressionism Reassessed, Modern Times, Metzler Komponisten-Lexikon, Die Musik in Geschichte und Gegenwart, Kurt Weill Newsletter, New Grove Dictionary of Music, New Grove Dictionary of Opera, The New York Times, Musiktheorie, The Musical Times, The Guardian, Festschrift Carl Dahlhaus, Hindemith-Jahrbuch, Pipers Enzyklopedie des Musiktheaters, Beethoven Forum, Musica, Makers of Modern Culture, A New Orpheus: Essays on Kurt Weill, Music and Letters, Music Library Association Notes, Bach Perspectives, Ed. Board, Journal of Music Theory, Kurt Weill Edition. Editor, Beethoven Forum. AMS Program Committee member, 1996. Morse Fellow, 1992; Deutsche Forschungsgemeinshaft Fellow, 1986-88; DAAD, 1979."
);
faculty[faculty.length++] = new Profile(
"George", "Houle", "musicology", "houle.jpg", "Professor Emeritus (Musicology)",
"geohoule@stanford.edu", "", "", "",
"Professor Emeritus (Active) Musicology. George Houle was a professional oboist before earning a Ph. D. in historical musicology at Stanford, and has retained his interest in both scholarship and performance. He taught at Mills College, The University of Colorado, and the University of Minnesota, where he also conducted the orchestra. He returned to Stanford where he taught a broad range of courses and established a program for the performance of Renaissance and baroque music. He was music director of the New York Pro Musica in 1972-74, on leave from Stanford, and led the ensemble in concerts and operas on three continents. His special interests in the performance of early music include seventeenth century notation, meter, and tempo. Currently he is a student of the viola da gamba. He is the author of Meter in Music 1600-1800, Doulce Memoire, A Study in Performance Practice, Le Ballet des Facheux, Beauchamp’s Music for Moliére's Comedy, Ockeghem’s Missa cuiusvis toni in its original notation and edited in all the modes, and is the editor, with Glenna Houle, of Jason Paras’ The Music for Viola Bastarda. His music editions include Carl Friedrich Abel: Sonatas for the Viola da Gamba from the Musicbook of the Countess of Pembroke, three volumes, August Kuhnel: Sonate e Partite ad una e due Viole da Gamba con il Basso Continuo, four volumes, John Wilbye: Four-Part Madrigals from the Second Set 1609, apt both for Voyals and Voyces, John Wilbye, Five-Part Madrigals from the Second Set, 1609, Johann Pachelbel: Fugues, 2 Chorale Preludes and 2 Ricercars."
);
faculty[faculty.length++] = new Profile(
"Charles", "Kronengold", "musicology", "kronengold.jpg", "Acting Assistant Professor (Musicology)",
"kronengold@stanford.edu", "724.6390", "Braun 228", "",
"B.A., Yale; Ph.D., University of California at San Diego. Special Fields: Music since World War II; American Popular Music; Film and Media Theory; Comparative and Counter-Modernities; Music and Poetry. Current research concerns the ways that modern artistic genres condition, depict, embody and help to transform the activity of thinking. Articles and book-chapters published and forthcoming on Schoenberg, John Cage and Elliott Carter, soul, funk and disco, urban cinema, and such philosophical subjects as composers’ intentions, the role of accidents in theory, Theodor Adorno’s aesthetics, and the relevance of African American music to current debates about the "post-secular". Completing two books, Live Genres in Late Modernity and Different Methods, Different Signs: Crediting Thinking in Soul and Dance Music. Doctoral Fellowship at the UC-Humanities Research Institute; Society for the Humanities Fellowship at Cornell University. Taught music, film and cultural theory at Wayne State University. Undergraduate courses include World Music and Globalized Culture (Stanford), The Soul Tradition (Stanford), History of Music: 1800 to the Present (Wayne State), Music and Representation (Wayne State), Ethics and Communication (Wayne State). Graduate courses include Genres and Politics in the Late-Modern Work (Stanford), Analyzing Modern Song (Wayne State), Music and Urban Film (Wayne State), Sensing Thinking (Cornell)."
);
faculty[faculty.length++] = new Profile(
"William", "Mahrt", "musicology", "mahrt.jpg", "Associate Professor (Musicology, Early Music)
Director of the Early Music Singers",
"mahrt@stanford.edu", "723.0797", "Braun 216", "",
"Ph.D., Stanford University. Special fields: theory and performance of Medieval and Renaissance music, Medieval studies. Articles on Gregorian chant, Troubadours, Medieval Performance, Machaut, Dufay, Lasso, Dante, and English cathedrals. Workshops in Gregorian chant and Renaissance polyphony. Joint editor, Leonard Ratner Festschrift. Woodrow Wilson Fellow, 1973; NEH-Newberry grant, 1976; Mellon Junior Faculty Grant, 1978; NEH Lecturer, 1986-87, 1989-90; Chairman, Western Culture Program, 1984-85."
);
faculty[faculty.length++] = new Profile(
"James", "Nadel", "jazz", "nadel.jpg", "Lecturer (Jazz Studies)",
"jazzline@stanford.edu", "723.0573", "Braun 232", "",
"A.B., Stanford University; M.N.A., University of San Francisco. Studied with Danny Patiris, Joe Henderson, John Handy, Dave Baker. Director of the Stanford Jazz Workshop since 1972; artistic and administrative director Stanford Jazz Festival. Bay Area performance (alto saxophone) in various jazz combinations."
);
faculty[faculty.length++] = new Profile(
"Jaroslaw", "Kapuscinski", "comptheory", "KapuscinskiJarek.jpg", "Assistant Professor (Composition, Theory, and Intermedia)",
"jkapusci@stanford.edu", "723.2717", "Braun 202", "http://jaroslawkapuscinski.com/",
"Composer, performer and media artist, Director of Intermedia Performance Lab (IPL), M.A. Chopin Academy of Music, Warsaw (Piano Performance, 1987 and Composition, 1991), Ph.D. University of California, San Diego (Composition, 1997). Studied with Wlodzimierz Kotonski, Jan Ekier, Bronislawa Kawalla, Rand Steiger, Miller Puckette, Roger Reynolds, Brian Ferneyhough, and Joji Yuasa; additional courses with Iannis Xenakis, Louis Andriessen, Tristan Murail, François-Bernard Mâche and George Lewis. Selected prizes: UNESCO Film sur l'Art Festival in Paris (1992), VideoArt Festival in Locarno (1993), Manifestation Internationale Video et Art Electronique in Montréal (1994) and International Festival of New Cinema and New Media in Montréal (2000). Commissions from Zentrum fur Kunst und Medientechnologie in Karlsruhe, INA/GRM, Warsaw Autumn, Toshiba/EMI and Polish TV. Performances and presentations include New York MOMA, Museum of Modern Art Centre Pompidou and Palais de Tokyo in Paris, ZKM, National Reina Sofia Museum in Madrid, Museum of Contemporary Art in Montréal, Annecy Animation Festival, Warsaw Autumn Festival of Contemporary Music, National Art Center in Ottawa, Worldwide Video Festival, numerous other venues in Europe, North and South America, and Asia, as well as broadcasts on French/German ARTE, Belgian and Polish television. Published among others Composing with Sounds and Images, Basic Theory of Intermedia. Taught at UC San Diego, McGill University, Royal Conservatory in the Hague, Art Conservatory and Music Academy in Odense, Conservatory of Music at University of the Pacific and lectured internationally including at USC, UC Berkeley, Academy of Music in Krakow and Tokyo University for Arts and Music.");
faculty[faculty.length++] = new Profile(
"Livia", "Sohn", "strings", "lsohn.jpg", "Lecturer (Violin)",
"lsohn@stanford.edu", "725.2690", "Braun 209", "",
"Livia Sohn started playing the violin at the age of five, and by age seven was accepted into the Juilliard Pre-College Division to study with the legendary Dorothy DeLay and Hyo Kang. At the age of thirteen she won First Prize in the Yehudi Menuhin International Violin Competition. She gave her first public performance when she was 8, and her career now has included solo appearances with over 70 orchestras on five continents. She has worked with many eminent conductors, including Yehudi Menuhin, Jesus Lopez-Cobos, James DePreist, Gerard Schwarz, Sidney Harth, William Eddins, Myung-Whun Chung, Jane Glover, and Jorge Mester. As a chamber musician, Livia has been a guest artist at Kuhmo Chamber Music Festival in Finland, Newport Music Festival, Caramoor International Music Festival, Maverick Concerts, Prince Albert Music Festival in Hawaii, and Festival de San Miguel d'Allende in Mexico. Livia has appeared as recitalist in dozens of cities, including New York City's Mostly Mozart Festival, Chicago’s Ravinia Festival, Boston’s Jordon Hall, as well as the Isabella Stewart Gardner Museum, Washington, D.C.'s National Gallery of Art, Atlanta's Gwinnet Performing Arts Center, Cincinnati’s Xavier University, and South Carolina's Peace Center for the Performing Arts. Livia plays on a J.B. Guadagnini violin crafted in 1770. She is currently on faculty at the Music Department of Stanford University, and makes her home in the Bay Area with her husband, violinist Geoff Nuttall."
);
faculty[faculty.length++] = new Profile(
"Kumaran", "Arul", "keyboard", "", "Lecturer (Piano)",
"kumaranarul@earthlink.net", "", "", "",
"B.M.A., University of Michigan. M.M., Manhattan School of Music. Studies with Louis Nagel, Marc Silverman. Historical performance studies with Edward Parmentier, Ken Cooper, Will Crutchfield. Chamber music studies with Anton Nel, Michael Tree, Daniel Avshalamov. Solo, chamber and concerto performances throughout U.S., Canada, England, Hungary. Solo and ensemble performances on harpsichord. Special interest: historic recordings and performance styles, late 19th and early 20th century performance practice."
);
faculty[faculty.length++] = new Profile(
"Scott", "St. John", "strings", "stjohn.jpg", "Lecturer and Artist in Residence (Violin, St. Lawrence String Quartet)",
"sjstjohn@stanford.edu", "725.2695", "Braun 220", "",
"Formerly Associate Professor of Violin at University of Toronto. B.M., Curtis Institute of Music with Arnold Steinhardt. Has appeared with orchestras including Toronto, Montreal, Philadelphia, Utah, Hamburg, Munich. Frequent participant at Marlboro Festival, Seattle Chamber Music Festival and Scotia festival. Recordings on Naxos, CBC Records and Ancalagon Records. Recipient of Lincoln Center’s Avery Fisher Career Grant."
);
faculty[faculty.length++] = new Profile(
"Karol", "Berger", "musicology", "bergerk.jpg", "Osgood Hooker Professor in Fine Arts (Musicology)",
"kberger@stanford.edu", "725.2693", "Braun 215", "http://music.stanford.edu/Assets/KBergerPubs.htm",
"Ph.D., Yale University. Special fields: history of music aesthetics and theory, Austro-German music from 1700 to 1900, vocal polyphony from 1400 to 1600. Publications: Theories of Chromatic and Enharmonic Music in Late 16th-Century Italy, 1980; Musica Ficta, 1987 (paperback 2004), recipient of 1988 Otto Kinkeldey Award given by the American Musicological Society for the best musicological book of the year; A Theory of Art, 2000 (paperback 2002); Music and the Aesthetics of Modernity: Essays, edited jointly with Anthony Newcomb, 2005. Articles in Shakespeare Studies, Musica Disciplina, The Musical Quarterly, Journal of Musicology, Early Music, Revue Belge de Musicologie, Mozart-Jahrbuch, Rivista Italiana di Muscologia, 19th-Century Music, Beethoven Forum, Chopin Studies 2, New Grove, Saggiatore musicale. NEH Fellow, 1980-81; Research Fellow, Alexander von Humboldt Foundation, 1988-89; ACLS Fellow, 1992-93 and 2003-2004; Stanford Humanities Center Fellow, 2003-2004; the Rockefeller Foundation’s Bellagio Study and Conference Center Resident, 2005. Recipient of the Alfred Jurzykowski Foundation Award for outstanding creative achievement, 1995."
);
faculty[faculty.length++] = new Profile(
"Erik", "Ulman", "comptheory", "ulman.jpg", "Lecturer (Composition/Theory)",
"eulman@stanford.edu", "721.3028", "Braun 224", "",
"B.A., M.A., Ph.D., University of California, San Diego, where he studied principally with Brian Ferneyhough, Roger Reynolds, Rand Steiger, and Steven Kazuo Takasugi. Additional composition studies with Helmut Lachenmann at the Stuttgart Musikhochschule on a grant from the DAAD (1995-96). He has taught at UCSD and at the University of Illinois at Urbana-Champaign, and has lectured at Bard College, New York University, the University of Minnesota, the University of New Mexico, Macalester College, and the Darmstadt Summer Courses. His music has been performed by such interpreters as the Arditti Quartet, Anthony Burr of Elision, the Cygnus Ensemble, John Mark Harris, the New York New Music Ensemble, the Nieuw Ensemble, NOISE, Ian Pace, Plus Minus, and SONOR. He has written about contemporary music in Musik und Asthetik, MusikTexte, Open Space, Perspectives of New Music, and the book Sound as Sense; his essays on film have appeared in the on-line journal Senses of Cinema. Since Summer 2004, Ulman and Marcia Scott have organized three Poto Festivals in Grass Valley, California, gathering artists in various media for presentations, discussions, and collaboration: information can be found at www.potoinc.org."
);
faculty[faculty.length++] = new Profile(
"Jonathan", "Abel", "ccrma", "abel.jpg", "Consulting Professor (CCRMA)",
"abel@ccrma.stanford.edu", "", "Knoll 306", "",
"S.B. (EE), MIT; M.S., Ph.D. (EE), Stanford University. Special fields: audio and music applications of signal and array processing, point estimation and acoustics; particularly audio effects processing, room acoustics, spatial hearing, musical acoustics and physical modeling, emulation of vintage analog audio processors. Co-founder and CTO of Universal Audio, Inc. Articles in AES, ASA, IEEE, ICMA, ION, MRS journals and conference proceedings."
);
faculty[faculty.length++] = new Profile(
"William L.", "Verplank", "ccrma", "verplank.jpg", "Lecturer (CCRMA)",
"verplank@ccrma.stanford.edu", "723.4971 x306", "Knoll 103", "",
"Ph.D. Mechanical Engineering (Man-Machine Systems), Massachusetts Institute of Technology.");
faculty[faculty.length++] = new Profile(
"David Patrick", "Berners", "ccrma", "", "Consulting Professor (CCRMA)",
"dpberner@ccrma.stanford.edu", "", "", "http://ccrma.stanford.edu/~dpberner/",
"PhD (EE), Stanford University; MS (EE), California Institute of Technology");
faculty[faculty.length++] = new Profile(
"Debra", "Fong", "strings", "debraFong.jpg", "Lecturer (Violin)",
"chrisdebra@aol.com", "723-0537", "Braun 208", "",
"M.M., B.M., with Highest Honors, New England Conservatory of Music. Ms. Fong performs with a wide variety of orchestral and chamber ensembles in the Bay area and is a Lecturer in Violin and Chamber Music at Stanford University. She spends her summers as a first violinist of The Santa Fe Opera Orchestra. A Chicago area resident prior to her move to Palo Alto in 2004, Ms. Fong performed with such groups as the Chicago Sinfonietta, the Joffrey Ballet of Chicago, the Lake Forest Symphony, and as a guest artist of the highly-acclaimed Chicago Chamber Musicians. Ms. Fong is a graduate of the New England Conservatory of Music in Boston, where her teachers included Eric Rosenblith, James Buswell, Eugene Lehner, and Louis Krasner. Ms. Fong has also served as Principal Second Violinist of the Virginia Symphony in Norfolk, Assistant Concertmaster of the Virginia Opera, and a Lecturer in Violin at the College of William and Mary in Williamsburg, Virginia.");
faculty[faculty.length++] = new Profile(
"Martín", "Fraile", "ensemble", "mFraile.jpg", "Assistant Director, Stanford Symphony Orchestra",
"mfraile@stanford.edu", "", "", "",
"Originally from Argentina, Martín Fraile serves as assistant conductor for the Stanford Symphony and Philharmonia Orchestras and principal conductor and coordinator for the Stanford New Ensemble. Martín Fraile completed his undergraduate and graduate studies in Choral Conducting with Sergio Siminovich. In Argentina, he began orchestral conducting training with Guillermo Scarabino and continued at Louisiana State University with Jindong Cai and Julian Shew. He studied at LSU as a recipient of the Concert Spectacular Scholarship, Oramay Welch Young Scholarship, and LSU Music Award. From 2003 to 2005, he served as Assistant Conductor of the LSU Symphony, Philharmonia, and Opera orchestras.");
faculty[faculty.length++] = new Profile(
"Amy", "Schneider", "voice", "aschneider.jpg", "Lecturer (Voice)",
"aschndr@stanford.edu", "725.2698", "Braun 226", "",
"B.M., University of Wisconsin at Eau Claire; M.M., The Cleveland Institute of Music; D.M.A., Boston University. Performances with Boston Baroque, Emmanuel Music, Boston Musica Viva, ALEA III, Composers in Red Sneakers and the Lighthouse Chamber Players. Participated in a master class on Schumann song cycles with Graham Johnson at the Britten-Pears School. Has served on the faculty at Boston University, North Dakota State University, and as a teacher and artist-in-residence for the Boston University Tanglewood Institute’s Young Artists Vocal Program.");
faculty[faculty.length++] = new Profile(
"Murray", "Low", "jazz", "lowMurray.jpg", "Lecturer (Jazz Piano)",
"murlow@stanford.edu", "725.2697", "Braun 211", "",
"B.S., University of California, Berkeley. Held previous teaching positions at University of California Berkeley and the Jazzschool in Berkeley. Guest lecturer at Stanford, Cal State San Jose, Cal State Monterey Bay, University of Wisconsin/Madison, Cal State Sonoma, Jazzcamp West, Monterey Jazz Youth Program. Twenty-six years of perfomance, teaching, composing and arranging experience. Grammy nomination in Latin Jazz category with Machete Ensemble 2003. Multiple appearances at major jazz festivals such Monterey, Concord, Stanford, San Francisco, San Jose, Big Sur, Mt. Hood, North Sea, Russian River, Atlanta, and North Beach festivals. Appeared with Tito Puente, Poncho Sanchez, Bob Mintzer, Ray Vega, Clark Terry, Benny Golson, John Handy, George Duke, Andy Narell, Wayne Wallace. Regular pianist with John Santos' Machete Ensemble and Pete Escovedo Orchestra. Appears on over 40 jazz recordings.");
faculty[faculty.length++] = new Profile(
"John M.", "Chowning", "ccrma", "johnChowning.jpg", "Professor Emeritus",
"jc@ccrma.stanford.edu", "", "", "",
"Osgood Hooker Professor of Fine Arts, Emeritus. B.M., Wittenberg University, D.M.A., Stanford University, Studies with Nadia Boulanger, Paris, 1959-62. Fields: computer music/composition, auditory/music perception. Patents: The Simulation of Moving Sound Sources, The Synthesis of Complex Audio Spectra by Means of Frequency Modulation. Publications/Recordings: Journal of the Audio Engineering Society, Schott/WERGO. Grants/Awards: artist-in-residence, Kunstlerprogramm des Deutschen Akademischen Austauschdiensts, Berlin, 1974; invited composer/researcher IRCAM, Paris, 1978, 1985; Fellow, American Academy of Arts and Sciences, 1988; Honorary Doctor of Music, Wittenberg University, 1990; Diplome d’Officier dans l’Ordre des Arts et Lettres, French Ministre de la Culture, 1995; Doctorat Honoris Causa, Université de la Méditerranée, Marseille, 2002."
);
/* ***************************************************************************************************************
DO NOT PASTE PROFILE CODE BENEATH THIS POINT. COPY AND PASTE CODE GENERATED PROFILES ABOVE THIS MARQUEE
*************************************************************************************************************** */
// facultyAlpha alphabetizes the faculty by last name
var facultyAlpha = faculty;
facultyAlpha.sort(sortByLastFirst);
// displays the an error console if the category attribute for any profile is undefined.
for (i = 0; i < faculty.length; i++) {
if ((faculty[i].category != "ccarh") && (faculty[i].category != "ccrma") &&
(faculty[i].category != "ensemble") && (faculty[i].category != "flute") &&
(faculty[i].category != "jazz") && (faculty[i].category != "musicology") &&
(faculty[i].category != "comptheory") && (faculty[i].category != "keyboard") &&
(faculty[i].category != "strings") && (faculty[i].category != "wbp") &&
(faculty[i].category != "voice") && (faculty[i].category != "earlymusic")) {
alert("faculty category is undefined for: " + faculty[i].firstName + " " + faculty[i].lastName);
break;
}
}
// divides the master Array into four subarrays based on the value of the category attribute
var ccarhFac = new Array(); var ccrmaFac = new Array();
var ensembleFac = new Array(); var fluteFac = new Array();
var jazzFac = new Array(); var musicoFac = new Array();
var comptheoryFac = new Array(); var keyboardFac = new Array();
var stringsFac = new Array(); var wbpFac = new Array();
var voiceFac = new Array(); var earlymusFac = new Array();
// The for loop executes immediately and uses the switch paradigm to sort and assign profile objects to
// their corresponding subarray based on the value of the faculty member's category attribute.
for (i = 0; i < faculty.length; i++) {
switch (faculty[i].category) {
case "ccarh": ccarhFac = ccarhFac.concat(faculty[i]); break;
case "ccrma": ccrmaFac = ccrmaFac.concat(faculty[i]); break;
case "ensemble": ensembleFac = ensembleFac.concat(faculty[i]); break;
case "flute": fluteFac = fluteFac.concat(faculty[i]); break;
case "jazz": jazzFac = jazzFac.concat(faculty[i]); break;
case "musicology": musicoFac = musicoFac.concat(faculty[i]); break;
case "comptheory": comptheoryFac = comptheoryFac.concat(faculty[i]); break;
case "keyboard": keyboardFac = keyboardFac.concat(faculty[i]); break;
case "strings": stringsFac = stringsFac.concat(faculty[i]); break;
case "wbp": wbpFac = wbpFac.concat(faculty[i]); break;
case "voice": voiceFac = voiceFac.concat(faculty[i]); break;
}
}
ccarhFac.sort(sortByLastFirst);
ccrmaFac.sort(sortByLastFirst);
ensembleFac.sort(sortByLastFirst);
fluteFac.sort(sortByLastFirst);
jazzFac.sort(sortByLastFirst);
musicoFac.sort(sortByLastFirst);
comptheoryFac.sort(sortByLastFirst);
keyboardFac.sort(sortByLastFirst);
stringsFac.sort(sortByLastFirst);
wbpFac.sort(sortByLastFirst);
voiceFac.sort(sortByLastFirst);